Architecture - AP Art History

Renaissance architecture made use of attributes of Ancient Roman architecture. Namely, Renaissance architects utilized Ancient Roman column types, such as Doric, Ionic, Tuscan, Composite, and Corinthian, often used decoratively rather than structurally.

The "voussoir" is a wedge-shaped block that makes up a true arch.

Neoclassical art and architecture came about in Europe hand in hand with the philosophical era known as the Enlightenment in the eighteenth century. Just as the Enlightenment reacted against Catholic Christianity and embraced reason over emotion, Neoclassical artists sought to go back to antiquity, to a "pre-Christian" era. Thus, Neoclassical architecture brought back the chief elements of Roman architecture, like columns, domes, and collonades.

Until the late nineteenth century, buildings had serious vertical size restrictions due to the weight placed on them by bricks and other traditional materials. With the introduction of steel, an alloy of iron, new possibilities were available to builders. In particular, the use of steel-frame construction, which built a "sheet" around steel beams, allowed for buildings stretching taller than ten stories.

The Washington Monument, in the center of the National Mall in Washington, D.C., is the world's largest memorial obelisk. Obelisks, four sided pillars that originated with the ancient Egyptians, have long been used in Western culture as memorial markers. The Washington Monument was conceived in the 1840s as more than just the obelisk, but ran into funding problems and was only completed in its simpler form in 1885.

The three "classical orders" applied to columns in Ancient Greek architecture are Doric, Ionian, and Corinthian, going from least to most ornate. The Ionic column is most easily distinguished by its capital, or the top of the column. On every Ionic column, a scroll-shaped ornamentation is placed at the top portion of the column.

Columns in the Doric order sit directly on the stylobate without a base. The other two Classical Greek orders, Ionic and Corinthian, both employ bases.

Often found in Ancient Greek architecture, female figures used as part of or in place of plainer columns are known as caryatids.

Tuscan columns are the standard type of Etruscan column. They closely resemble Doric columns, but are usually made of wood, have a base and are not fluted along the shaft.

The "cella" is the central room or chamber of an ancient temple; often this is where the cult statue of the god or goddess would be set up.

The triangular gable over a major architectural element is called a pediment. In Classical and especially Greek temples, the pediment is decorated with a sculpture that tells a story or a myth. The pediment is the defining architectural feature of the Classical temple, and it also shows up a lot in Greek Revival architecture in Europe and the United States.

The use of different architectural orders on each level of a building is called the progression of orders. In Classical architecture, each "order" refers to a particular style, identifiable mostly by the profile and proportions of the columns. The progression of orders takes these structural elements and uses them as decorative elements, especially in Roman and Neoclassical architecture.

In Greek and Roman architecture, a circular building is called a tholos. The tholos (plu. tholoi) is more common in Greek architecture than in Roman architecture; normally they were used for circular temples or shrines. In the Mycenaean tradition, the term "tholos" refers to a kind of circular, beehive-shaped tomb.

This is the definition of an oculus, and can be found in the Pantheon and other Roman & Greek buildings.

The only other answer that is an open design is the rose window, but those are not found in the top of a dome.

The apse and ambulatory are specific areas in a basilica plan church, not a part of a dome.

The impluvium is an indented/sunken area in a structure to collect rain.

Cathedrals, and many churches, built in Western Europe during the Middle Ages were usually set out in a cruciform, or cross shape. Chartres Cathedral, while featuring a wider transcept, or shorter branching of the cross, follows this pattern as well. Chartres Cathedral differed from other Gothic cathedrals in having a more uniform height for its arcade, triforium, and clerestory levels, the arches on the interior's walls.

Stained glass, semi-circular arches, and groin vaults are all contributions of the Romanesque architectural movement, which preceded Gothic architecture. Deliberately incomplete architectural elements are a feature of Baroque architecture. Gothic architecture is responsible for the flying buttress.

A finial is a crowning ornament on a pinnacle, tower, or roof of a building.

The Flamboyant (or Late) period of Gothic architecture contains a combination of tracery and ogee arches. "Flamboyant," from the French word for flaming, denotes its highly decorative style.

The depressed arch was much different from the other arches found in Gothic architecture. It was designed to look as though it had been flattened by a great pressure, and was very wide. There is no such thing as an Italian arch.

Triglyphs and metopes are a characteristic of the doric order temple, but were abandoned by the time the ionic order became the favored architectural tradition in favor of an uninterrupted frieze that could house relief sculpture.