Seventeenth- and Eighteenth-Century Architecture - AP Art History
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Neoclassical architecture sought to revive the style of architecture prevalent in .
Neoclassical architecture sought to revive the style of architecture prevalent in .
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Neoclassical art and architecture came about in Europe hand in hand with the philosophical era known as the Enlightenment in the eighteenth century. Just as the Enlightenment reacted against Catholic Christianity and embraced reason over emotion, Neoclassical artists sought to go back to antiquity, to a "pre-Christian" era. Thus, Neoclassical architecture brought back the chief elements of Roman architecture, like columns, domes, and collonades.
Neoclassical art and architecture came about in Europe hand in hand with the philosophical era known as the Enlightenment in the eighteenth century. Just as the Enlightenment reacted against Catholic Christianity and embraced reason over emotion, Neoclassical artists sought to go back to antiquity, to a "pre-Christian" era. Thus, Neoclassical architecture brought back the chief elements of Roman architecture, like columns, domes, and collonades.
The Baroque artistic and architectural movement was superseded by a movement that developed in the early eighteenth century in Paris. What was the name of this movement?
The Baroque artistic and architectural movement was superseded by a movement that developed in the early eighteenth century in Paris. What was the name of this movement?
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The Baroque movement was superseded by the artistic and architectural movement Rococo in the eighteenth century. Rococo was a deviation from the grandeur and strict symmetry of the Baroque movement, which dominated western and central Europe during the sixteenth and seventeenth centuries. Some describe Rococo as delicate and intricate.
The Baroque movement was superseded by the artistic and architectural movement Rococo in the eighteenth century. Rococo was a deviation from the grandeur and strict symmetry of the Baroque movement, which dominated western and central Europe during the sixteenth and seventeenth centuries. Some describe Rococo as delicate and intricate.
The neoclassical artistic movement of the eighteenth through the twenty-first centuries was inspired by which ancient civilization or civilizations?
The neoclassical artistic movement of the eighteenth through the twenty-first centuries was inspired by which ancient civilization or civilizations?
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Neoclassicism was inspired by both ancient Greek and ancient Roman civilizations. This can be seen in its use of columns and other characteristics commonly associated with Greek and Roman art and architecture. Neoclassical sculptures also greatly resemble ancient Greek and ancient Roman sculptures.
Neoclassicism was inspired by both ancient Greek and ancient Roman civilizations. This can be seen in its use of columns and other characteristics commonly associated with Greek and Roman art and architecture. Neoclassical sculptures also greatly resemble ancient Greek and ancient Roman sculptures.
![Monticello_2010-10-29.jpg]()
The building shown here was located .
The building shown here was located .
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The main building of Monticello, pictured here, sat in the middle of Thomas Jefferson's plantation. As such, it was both a grand house and the administrative center for the plantation, which housed and worked hundreds of slaves in various agricultural projects. The building's remote location from other settlements was key to its size and situation in its surroundings.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
The main building of Monticello, pictured here, sat in the middle of Thomas Jefferson's plantation. As such, it was both a grand house and the administrative center for the plantation, which housed and worked hundreds of slaves in various agricultural projects. The building's remote location from other settlements was key to its size and situation in its surroundings.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
The English architect responsible for rebuilding many churches after the great London fire of 1666, including St. Paul's Cathedral, is .
The English architect responsible for rebuilding many churches after the great London fire of 1666, including St. Paul's Cathedral, is .
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The Great London Fire of 1666 destroyed many of the buildings in the city, including the original St. Paul's Cathedral, and necessitated massive architectural projects. The largest beneficiary of this was Sir Christopher Wren, a mathematician as well as an architect, who created over fifty churches and rebuilt St. Paul's. Wren's legacy found its way throughout baroque architecture, and his St. Paul's design influenced the Pantheon in Paris, the U.S. Capitol, and many other buildings.
The Great London Fire of 1666 destroyed many of the buildings in the city, including the original St. Paul's Cathedral, and necessitated massive architectural projects. The largest beneficiary of this was Sir Christopher Wren, a mathematician as well as an architect, who created over fifty churches and rebuilt St. Paul's. Wren's legacy found its way throughout baroque architecture, and his St. Paul's design influenced the Pantheon in Paris, the U.S. Capitol, and many other buildings.
The architect who created this plan began his career as .
The architect who created this plan began his career as .
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When Inigo Jones, who created this plan of a new Palace at Whitehall in 1638, first became an architect, the field was only newly springing up as a separate artistic discipline. There was no training in architecture or building design, and many seventeenth-century architects were self-taught artisans who came from related fields. Jones began as a stage designer, where he built sets and costumes for shows at the English court, and was typical of his era of architects for starting off in an artistic field that required knowledge of structures and fabrication.
Image: Plan for A New Palace at Whitehall by Inigo Jones (1638). http://commons.wikimedia.org/wiki/File:Ingo\_Jones\_plan\_for\_a\_new\_palace\_at\_Whitehall\_1638.jpg
When Inigo Jones, who created this plan of a new Palace at Whitehall in 1638, first became an architect, the field was only newly springing up as a separate artistic discipline. There was no training in architecture or building design, and many seventeenth-century architects were self-taught artisans who came from related fields. Jones began as a stage designer, where he built sets and costumes for shows at the English court, and was typical of his era of architects for starting off in an artistic field that required knowledge of structures and fabrication.
Image: Plan for A New Palace at Whitehall by Inigo Jones (1638). http://commons.wikimedia.org/wiki/File:Ingo\_Jones\_plan\_for\_a\_new\_palace\_at\_Whitehall\_1638.jpg
"Federal style" architecture is most closely associated with which European architectural style?
"Federal style" architecture is most closely associated with which European architectural style?
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The Federal style of architecture refers to the buildings designed and constructed in the first few decades of the United States' independence, roughly 1785 to 1815. The Federal style was closely related to the "Regency style" in Britain, which took place under the Regency of the Prince of Wales (later King George IV) during 1811 to 1820. Both styles were developments of Neoclassicism, which borrowed elements from Roman architecture like columns, domes, and white marble.
The Federal style of architecture refers to the buildings designed and constructed in the first few decades of the United States' independence, roughly 1785 to 1815. The Federal style was closely related to the "Regency style" in Britain, which took place under the Regency of the Prince of Wales (later King George IV) during 1811 to 1820. Both styles were developments of Neoclassicism, which borrowed elements from Roman architecture like columns, domes, and white marble.
Which eighteenth-through-twenty-first-century Western architectural movement drew inspiration from Roman and Greek art and culture and coincided with the eighteenth-century Age of Enlightenment?
Which eighteenth-through-twenty-first-century Western architectural movement drew inspiration from Roman and Greek art and culture and coincided with the eighteenth-century Age of Enlightenment?
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The term neoclassicism can be broken down into two parts: "Neo" and "Classic." This refers to the fact that is a new ("neo") interpretation of classic architectural and artistic concepts pioneered by the ancient Greeks and Romans. Art Deco and Art Nouveau are movements firmly planted in the twentieth century, and Mannerism and the Renaissance are much too far in the past to even be considered for a question that is about an eighteenth-through-twenty-first-century artistic movement.
The term neoclassicism can be broken down into two parts: "Neo" and "Classic." This refers to the fact that is a new ("neo") interpretation of classic architectural and artistic concepts pioneered by the ancient Greeks and Romans. Art Deco and Art Nouveau are movements firmly planted in the twentieth century, and Mannerism and the Renaissance are much too far in the past to even be considered for a question that is about an eighteenth-through-twenty-first-century artistic movement.
By the end of the 18th century, the Rococo artistic and architectural style had been replaced by which successor, whose inspiration seemed to stem from certain Ancient civilizations?
By the end of the 18th century, the Rococo artistic and architectural style had been replaced by which successor, whose inspiration seemed to stem from certain Ancient civilizations?
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The Rococo artistic and architectural movement and style, also known as "Late Baroque," surged in the late 18th century as a more intricate, delicate, light and asymmetrical approach to architecture than the Baroque style that came before it. Neoclassicism, which came as a direct opposition to Rococo, had replaced the asymmetrical, graceful architecture and art of the Rococo with its own focus on symmetry and simplicity by the end of the 18th century.
The Rococo artistic and architectural movement and style, also known as "Late Baroque," surged in the late 18th century as a more intricate, delicate, light and asymmetrical approach to architecture than the Baroque style that came before it. Neoclassicism, which came as a direct opposition to Rococo, had replaced the asymmetrical, graceful architecture and art of the Rococo with its own focus on symmetry and simplicity by the end of the 18th century.
![Monticello_2010-10-29.jpg]()
The building pictured above was located in .
The building pictured above was located in .
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The building pictured in the drawing is Monticello, Thomas Jefferson's home in then rural Virginia, which he began building in the late eighteenth century. The location of Monticello is at the top of a hill, on the relative frontier of the continent, making it a building challenge. Nonetheless, Jefferson largely succeeded at building a European inspired grand home that still fit into the American landscape.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
The building pictured in the drawing is Monticello, Thomas Jefferson's home in then rural Virginia, which he began building in the late eighteenth century. The location of Monticello is at the top of a hill, on the relative frontier of the continent, making it a building challenge. Nonetheless, Jefferson largely succeeded at building a European inspired grand home that still fit into the American landscape.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
![Monticello_2010-10-29.jpg]()
The building shown here was significantly influenced by the work of .
The building shown here was significantly influenced by the work of .
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Thomas Jefferson was the principal designer, architect, and builder of Monticello, but his plans and designs were heavily influenced by the work of the Italian architect Andrea Palladio. Palladio not only built a number of impressive works of his own, but also wrote an influential treatise on architecture, The Four Books of Architecture. Jefferson was self-taught as an architect, largely from the writings of Palladio.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
Thomas Jefferson was the principal designer, architect, and builder of Monticello, but his plans and designs were heavily influenced by the work of the Italian architect Andrea Palladio. Palladio not only built a number of impressive works of his own, but also wrote an influential treatise on architecture, The Four Books of Architecture. Jefferson was self-taught as an architect, largely from the writings of Palladio.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
Stretchers, headers, and soldiers are terms used to describe .
Stretchers, headers, and soldiers are terms used to describe .
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In brickwork, particularly when used in the construction of large buildings; different terms are used to describe how bricks are laid out and how they relate to each other. A stretcher is a brick laid lengthwise, facing out on its larger face, a header is a brick laid with its shorter end facing out on the wall, and a soldier is a brick laid on its small end with its long side facing out.
In brickwork, particularly when used in the construction of large buildings; different terms are used to describe how bricks are laid out and how they relate to each other. A stretcher is a brick laid lengthwise, facing out on its larger face, a header is a brick laid with its shorter end facing out on the wall, and a soldier is a brick laid on its small end with its long side facing out.
This design plan is highly representative of the style known as .
This design plan is highly representative of the style known as .
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Inigo Jones, who drafted this plan for a new Palace at Whitehall, was the first notable English architect, working in the seventeenth century. His greatest contribution to English architecture was to bring Italian ideals of neoclassicism to the British Isles. Neoclassicism's use of perfect symmetry and Greco-Roman aesthetics was a sharp departure from the overly wrought palaces and red brick houses of Tudor England.
Image: Plan for A New Palace at Whitehall by Inigo Jones (1638). http://commons.wikimedia.org/wiki/File:Ingo\_Jones\_plan\_for\_a\_new\_palace\_at\_Whitehall\_1638.jpg
Inigo Jones, who drafted this plan for a new Palace at Whitehall, was the first notable English architect, working in the seventeenth century. His greatest contribution to English architecture was to bring Italian ideals of neoclassicism to the British Isles. Neoclassicism's use of perfect symmetry and Greco-Roman aesthetics was a sharp departure from the overly wrought palaces and red brick houses of Tudor England.
Image: Plan for A New Palace at Whitehall by Inigo Jones (1638). http://commons.wikimedia.org/wiki/File:Ingo\_Jones\_plan\_for\_a\_new\_palace\_at\_Whitehall\_1638.jpg
![Monticello_2010-10-29.jpg]()
The "cupola" on the building shown here describes the .
The "cupola" on the building shown here describes the .
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The pride of Jefferson regarding Monticello was the cupola, or dome, over the top of the building. The building of the cupola was a massive architectural problem, needing intense calculations and measurements just to keep the dome upright. Jefferson placed his own study in the cupola, as it also provided the best light and airflow of any room.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
The pride of Jefferson regarding Monticello was the cupola, or dome, over the top of the building. The building of the cupola was a massive architectural problem, needing intense calculations and measurements just to keep the dome upright. Jefferson placed his own study in the cupola, as it also provided the best light and airflow of any room.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
Neoclassical architecture sought to revive the style of architecture prevalent in .
Neoclassical architecture sought to revive the style of architecture prevalent in .
Tap to see back →
Neoclassical art and architecture came about in Europe hand in hand with the philosophical era known as the Enlightenment in the eighteenth century. Just as the Enlightenment reacted against Catholic Christianity and embraced reason over emotion, Neoclassical artists sought to go back to antiquity, to a "pre-Christian" era. Thus, Neoclassical architecture brought back the chief elements of Roman architecture, like columns, domes, and collonades.
Neoclassical art and architecture came about in Europe hand in hand with the philosophical era known as the Enlightenment in the eighteenth century. Just as the Enlightenment reacted against Catholic Christianity and embraced reason over emotion, Neoclassical artists sought to go back to antiquity, to a "pre-Christian" era. Thus, Neoclassical architecture brought back the chief elements of Roman architecture, like columns, domes, and collonades.
The Baroque artistic and architectural movement was superseded by a movement that developed in the early eighteenth century in Paris. What was the name of this movement?
The Baroque artistic and architectural movement was superseded by a movement that developed in the early eighteenth century in Paris. What was the name of this movement?
Tap to see back →
The Baroque movement was superseded by the artistic and architectural movement Rococo in the eighteenth century. Rococo was a deviation from the grandeur and strict symmetry of the Baroque movement, which dominated western and central Europe during the sixteenth and seventeenth centuries. Some describe Rococo as delicate and intricate.
The Baroque movement was superseded by the artistic and architectural movement Rococo in the eighteenth century. Rococo was a deviation from the grandeur and strict symmetry of the Baroque movement, which dominated western and central Europe during the sixteenth and seventeenth centuries. Some describe Rococo as delicate and intricate.
The neoclassical artistic movement of the eighteenth through the twenty-first centuries was inspired by which ancient civilization or civilizations?
The neoclassical artistic movement of the eighteenth through the twenty-first centuries was inspired by which ancient civilization or civilizations?
Tap to see back →
Neoclassicism was inspired by both ancient Greek and ancient Roman civilizations. This can be seen in its use of columns and other characteristics commonly associated with Greek and Roman art and architecture. Neoclassical sculptures also greatly resemble ancient Greek and ancient Roman sculptures.
Neoclassicism was inspired by both ancient Greek and ancient Roman civilizations. This can be seen in its use of columns and other characteristics commonly associated with Greek and Roman art and architecture. Neoclassical sculptures also greatly resemble ancient Greek and ancient Roman sculptures.
![Monticello_2010-10-29.jpg]()
The building shown here was located .
The building shown here was located .
Tap to see back →
The main building of Monticello, pictured here, sat in the middle of Thomas Jefferson's plantation. As such, it was both a grand house and the administrative center for the plantation, which housed and worked hundreds of slaves in various agricultural projects. The building's remote location from other settlements was key to its size and situation in its surroundings.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
The main building of Monticello, pictured here, sat in the middle of Thomas Jefferson's plantation. As such, it was both a grand house and the administrative center for the plantation, which housed and worked hundreds of slaves in various agricultural projects. The building's remote location from other settlements was key to its size and situation in its surroundings.
Image accessed through Wikipedia Media Commons. Author: YF12. https://commons.wikimedia.org/wiki/File:Monticello\_2010-10-29.jpg
The English architect responsible for rebuilding many churches after the great London fire of 1666, including St. Paul's Cathedral, is .
The English architect responsible for rebuilding many churches after the great London fire of 1666, including St. Paul's Cathedral, is .
Tap to see back →
The Great London Fire of 1666 destroyed many of the buildings in the city, including the original St. Paul's Cathedral, and necessitated massive architectural projects. The largest beneficiary of this was Sir Christopher Wren, a mathematician as well as an architect, who created over fifty churches and rebuilt St. Paul's. Wren's legacy found its way throughout baroque architecture, and his St. Paul's design influenced the Pantheon in Paris, the U.S. Capitol, and many other buildings.
The Great London Fire of 1666 destroyed many of the buildings in the city, including the original St. Paul's Cathedral, and necessitated massive architectural projects. The largest beneficiary of this was Sir Christopher Wren, a mathematician as well as an architect, who created over fifty churches and rebuilt St. Paul's. Wren's legacy found its way throughout baroque architecture, and his St. Paul's design influenced the Pantheon in Paris, the U.S. Capitol, and many other buildings.
The architect who created this plan began his career as .
The architect who created this plan began his career as .
Tap to see back →
When Inigo Jones, who created this plan of a new Palace at Whitehall in 1638, first became an architect, the field was only newly springing up as a separate artistic discipline. There was no training in architecture or building design, and many seventeenth-century architects were self-taught artisans who came from related fields. Jones began as a stage designer, where he built sets and costumes for shows at the English court, and was typical of his era of architects for starting off in an artistic field that required knowledge of structures and fabrication.
Image: Plan for A New Palace at Whitehall by Inigo Jones (1638). http://commons.wikimedia.org/wiki/File:Ingo\_Jones\_plan\_for\_a\_new\_palace\_at\_Whitehall\_1638.jpg
When Inigo Jones, who created this plan of a new Palace at Whitehall in 1638, first became an architect, the field was only newly springing up as a separate artistic discipline. There was no training in architecture or building design, and many seventeenth-century architects were self-taught artisans who came from related fields. Jones began as a stage designer, where he built sets and costumes for shows at the English court, and was typical of his era of architects for starting off in an artistic field that required knowledge of structures and fabrication.
Image: Plan for A New Palace at Whitehall by Inigo Jones (1638). http://commons.wikimedia.org/wiki/File:Ingo\_Jones\_plan\_for\_a\_new\_palace\_at\_Whitehall\_1638.jpg