Sculpture Beyond European Artistic Traditions - AP Art History
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What was the function of The Stele of Hammurabi?
What was the function of The Stele of Hammurabi?
The Stele of Hammurabi lists out a code of laws for the people of Babylon to follow. There are over 300 law entries written out in the work.
Image is in the public domain, accessed through Wikipedia Media Commons: https://en.wikipedia.org/wiki/Code\_of\_Hammurabi#/media/File:Milkau\_Oberer\_Teil\_der\_Stele\_mit\_dem\_Text\_von\_Hammurapis\_Gesetzescode\_369-2.png
The Stele of Hammurabi lists out a code of laws for the people of Babylon to follow. There are over 300 law entries written out in the work.
Image is in the public domain, accessed through Wikipedia Media Commons: https://en.wikipedia.org/wiki/Code\_of\_Hammurabi#/media/File:Milkau\_Oberer\_Teil\_der\_Stele\_mit\_dem\_Text\_von\_Hammurapis\_Gesetzescode\_369-2.png
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The most well known type of Olmec art is .
The most well known type of Olmec art is .
The Olmec civilization dominated what is now Southern Mexico from roughly 1500 BCE to 400 BCE, laying the groundwork for the later civilizations of the Maya and Aztec. The most familiar and most impressive part of their civilization that has survived are basalt sculptures of heads that weigh between 6 and 50 tons, and which took extraordinary coordination to have the stones moved and sculpted into their proper forms.
The Olmec civilization dominated what is now Southern Mexico from roughly 1500 BCE to 400 BCE, laying the groundwork for the later civilizations of the Maya and Aztec. The most familiar and most impressive part of their civilization that has survived are basalt sculptures of heads that weigh between 6 and 50 tons, and which took extraordinary coordination to have the stones moved and sculpted into their proper forms.
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Arguably the most recognizable piece of artwork from Mesoamerica is the Aztec . This stone was carved in the mid-fifteenth century and presents different worlds of the sun according to Aztec mythology. This stone was once a part of the Templo Mayor of Tenochtitlan.
Arguably the most recognizable piece of artwork from Mesoamerica is the Aztec . This stone was carved in the mid-fifteenth century and presents different worlds of the sun according to Aztec mythology. This stone was once a part of the Templo Mayor of Tenochtitlan.
The Aztec Sun Stone (also known as the Aztec Calendar Stone) is an elaborately carved stone disk that represents a link between humanity and the divine through the current ruler of the Aztec Empire at the time of its carving. It is not a working calendar. It may also have at some point been anointed with blood sacrifices to please the gods the Aztecs believed in.
The Aztec Sun Stone (also known as the Aztec Calendar Stone) is an elaborately carved stone disk that represents a link between humanity and the divine through the current ruler of the Aztec Empire at the time of its carving. It is not a working calendar. It may also have at some point been anointed with blood sacrifices to please the gods the Aztecs believed in.
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These stone monuments left behind by the Toltec civilization, which occupied what is now Hidalgo, Mexico, are an example of which type of monument frequently found in Pre-Columbian architecture and sculpture?
These stone monuments left behind by the Toltec civilization, which occupied what is now Hidalgo, Mexico, are an example of which type of monument frequently found in Pre-Columbian architecture and sculpture?
Atlantean figures have been found in various different areas of pre-Columbian Mesoamerica, most notably in Hidalgo, Mexico, which was previously occupied by the Toltecs. Their purpose is generally as support pillars. Atlantean refers to the Titan god Atlas, from Ancient Greek mythology, who was doomed to hold up the heavens for all eternity. They are generally carved to represent fierce, bellicose men. When the Aztecs found these pillars after the Toltecs abandoned their city, they imagined that the pillars represented their own gods, and considered the city divine.
Image accessed at: https://commons.wikimedia.org/wiki/File:Telamones\_Tula.jpg
Photograph by Luidger
Atlantean figures have been found in various different areas of pre-Columbian Mesoamerica, most notably in Hidalgo, Mexico, which was previously occupied by the Toltecs. Their purpose is generally as support pillars. Atlantean refers to the Titan god Atlas, from Ancient Greek mythology, who was doomed to hold up the heavens for all eternity. They are generally carved to represent fierce, bellicose men. When the Aztecs found these pillars after the Toltecs abandoned their city, they imagined that the pillars represented their own gods, and considered the city divine.
Image accessed at: https://commons.wikimedia.org/wiki/File:Telamones\_Tula.jpg
Photograph by Luidger
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Which of the following is generally true about African sculpture?
Which of the following is generally true about African sculpture?
Most African sculpture fits a tribal religious background, often depicting subjects that embody ancestors, spirits, or gods. Carved out of wood and stone, the statues were generally small enough to be relatively portable. These statues were usually human figures, but somewhat distorted in certain body parts, especially in the head and sexual characteristics.
Most African sculpture fits a tribal religious background, often depicting subjects that embody ancestors, spirits, or gods. Carved out of wood and stone, the statues were generally small enough to be relatively portable. These statues were usually human figures, but somewhat distorted in certain body parts, especially in the head and sexual characteristics.
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Pre-Columbian art refers to the artistic endeavors of the indigenous populations of which areas prior to the mid-sixteenth century?
Pre-Columbian art refers to the artistic endeavors of the indigenous populations of which areas prior to the mid-sixteenth century?
The term "Pre-Columbian" refers to a time before European colonization of the Americas. The term can be deconstructed as "Before Columbus," as Christopher Columbus' arrival to the Americas is seen as the beginning of European influence in what was then known as the "new world."
The term "Pre-Columbian" refers to a time before European colonization of the Americas. The term can be deconstructed as "Before Columbus," as Christopher Columbus' arrival to the Americas is seen as the beginning of European influence in what was then known as the "new world."
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Art and architecture from which Mesoamerican civilization is arguably the most well known and studied, its creators having inhabited Mexico during the late postclassic period of the Pre-Columbian era, when the European colonization of the Americas began?
Art and architecture from which Mesoamerican civilization is arguably the most well known and studied, its creators having inhabited Mexico during the late postclassic period of the Pre-Columbian era, when the European colonization of the Americas began?
The Aztecs occupied a large portion of central Mexico and Mesoamerica from the fourteenth to the sixteenth century. They were the last surviving major civilization of the Mesoamerica by the time that Spanish sailors invaded the area. Much is known about their art and culture, as they were (historically-speaking) very recently conquered by Spain. Although Spain did destroy a very large amount of their artwork and culture as part of their takeover of Latin America, much remains, and was later studied.
The Aztecs occupied a large portion of central Mexico and Mesoamerica from the fourteenth to the sixteenth century. They were the last surviving major civilization of the Mesoamerica by the time that Spanish sailors invaded the area. Much is known about their art and culture, as they were (historically-speaking) very recently conquered by Spain. Although Spain did destroy a very large amount of their artwork and culture as part of their takeover of Latin America, much remains, and was later studied.
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![256px-Shiva_as_the_Lord_of_Dance_LACMA_edit.jpg]()
The deity pictured in the work shown here is .
The deity pictured in the work shown here is .
This Hindu deity is in the classic “cosmic dancer” pose, known as “Nataraja” in Tamil, taken by the god Shiva as he performs a dance to destroy the universe in preparation of creation by Brahma. The four arms depicted in the statue are a typical attribute of Shiva, as is the general pose taken in this work. This copper statuette was created in the time of the Chola dynasty in Southern India during the 10th century, which saw a devotion to Shiva predominate.
Image is in the public domain accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Shiva\_as\_the\_Lord\_of\_Dance\_LACMA\_edit.jpg
This Hindu deity is in the classic “cosmic dancer” pose, known as “Nataraja” in Tamil, taken by the god Shiva as he performs a dance to destroy the universe in preparation of creation by Brahma. The four arms depicted in the statue are a typical attribute of Shiva, as is the general pose taken in this work. This copper statuette was created in the time of the Chola dynasty in Southern India during the 10th century, which saw a devotion to Shiva predominate.
Image is in the public domain accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Shiva\_as\_the\_Lord\_of\_Dance\_LACMA\_edit.jpg
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![256px-Shiva_as_the_Lord_of_Dance_LACMA_edit.jpg]()
The work shown here was created out of .
The work shown here was created out of .
Bronze has an advantage in casting an intricate sculpture compared to other metals in that it is easy to pour into a mold, yet is also extremely durable. The Chola dynasty artists of southern India frequently used bronze to create religious icons which needed both intricate details and an amount of portability for worship purposes. A wax casting technique was employed to allow for artists to create fine elements in elements in wax, then creating a mold which can have hot liquid bronze poured into it.
Image is in the public domain accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Shiva\_as\_the\_Lord\_of\_Dance\_LACMA\_edit.jpg
Bronze has an advantage in casting an intricate sculpture compared to other metals in that it is easy to pour into a mold, yet is also extremely durable. The Chola dynasty artists of southern India frequently used bronze to create religious icons which needed both intricate details and an amount of portability for worship purposes. A wax casting technique was employed to allow for artists to create fine elements in elements in wax, then creating a mold which can have hot liquid bronze poured into it.
Image is in the public domain accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Shiva\_as\_the\_Lord\_of\_Dance\_LACMA\_edit.jpg
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In order to be a conqueror in the afterlife, as he was in living life, Qin Shihuang (the First Emperor) built a tomb filled with what?
In order to be a conqueror in the afterlife, as he was in living life, Qin Shihuang (the First Emperor) built a tomb filled with what?
The mausoleum the First Emperor built in the Qin Dynasty was filled with over 7,000 terracotta statues of warriors, horses, and chariots. Archeologists also found jade jewelry and gold and silver ornaments. High levels of mercury were found in the mausoleum and indicate that it ran in troughs all throughout the building.
The mausoleum the First Emperor built in the Qin Dynasty was filled with over 7,000 terracotta statues of warriors, horses, and chariots. Archeologists also found jade jewelry and gold and silver ornaments. High levels of mercury were found in the mausoleum and indicate that it ran in troughs all throughout the building.
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What is the largest religious monument in the world and what god does it celebrate?
What is the largest religious monument in the world and what god does it celebrate?
Angkor Wat, meaning City Temple, is the world's largest religious monument. It is located in Siem Reap, Cambodia. It was built for Vishnu, a main Hindu god.
Angkor Wat, meaning City Temple, is the world's largest religious monument. It is located in Siem Reap, Cambodia. It was built for Vishnu, a main Hindu god.
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![256px-Shiva_as_the_Lord_of_Dance_LACMA_edit.jpg]()
The deity pictured in the work shown here is .
The deity pictured in the work shown here is .
This Hindu deity is in the classic “cosmic dancer” pose, known as “Nataraja” in Tamil, taken by the god Shiva as he performs a dance to destroy the universe in preparation of creation by Brahma. The four arms depicted in the statue are a typical attribute of Shiva, as is the general pose taken in this work. This copper statuette was created in the time of the Chola dynasty in Southern India during the 10th century, which saw a devotion to Shiva predominate.
Image is in the public domain accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Shiva\_as\_the\_Lord\_of\_Dance\_LACMA\_edit.jpg
This Hindu deity is in the classic “cosmic dancer” pose, known as “Nataraja” in Tamil, taken by the god Shiva as he performs a dance to destroy the universe in preparation of creation by Brahma. The four arms depicted in the statue are a typical attribute of Shiva, as is the general pose taken in this work. This copper statuette was created in the time of the Chola dynasty in Southern India during the 10th century, which saw a devotion to Shiva predominate.
Image is in the public domain accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Shiva\_as\_the\_Lord\_of\_Dance\_LACMA\_edit.jpg
Compare your answer with the correct one above
![256px-Shiva_as_the_Lord_of_Dance_LACMA_edit.jpg]()
The work shown here was created out of .
The work shown here was created out of .
Bronze has an advantage in casting an intricate sculpture compared to other metals in that it is easy to pour into a mold, yet is also extremely durable. The Chola dynasty artists of southern India frequently used bronze to create religious icons which needed both intricate details and an amount of portability for worship purposes. A wax casting technique was employed to allow for artists to create fine elements in elements in wax, then creating a mold which can have hot liquid bronze poured into it.
Image is in the public domain accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Shiva\_as\_the\_Lord\_of\_Dance\_LACMA\_edit.jpg
Bronze has an advantage in casting an intricate sculpture compared to other metals in that it is easy to pour into a mold, yet is also extremely durable. The Chola dynasty artists of southern India frequently used bronze to create religious icons which needed both intricate details and an amount of portability for worship purposes. A wax casting technique was employed to allow for artists to create fine elements in elements in wax, then creating a mold which can have hot liquid bronze poured into it.
Image is in the public domain accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Shiva\_as\_the\_Lord\_of\_Dance\_LACMA\_edit.jpg
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In order to be a conqueror in the afterlife, as he was in living life, Qin Shihuang (the First Emperor) built a tomb filled with what?
In order to be a conqueror in the afterlife, as he was in living life, Qin Shihuang (the First Emperor) built a tomb filled with what?
The mausoleum the First Emperor built in the Qin Dynasty was filled with over 7,000 terracotta statues of warriors, horses, and chariots. Archeologists also found jade jewelry and gold and silver ornaments. High levels of mercury were found in the mausoleum and indicate that it ran in troughs all throughout the building.
The mausoleum the First Emperor built in the Qin Dynasty was filled with over 7,000 terracotta statues of warriors, horses, and chariots. Archeologists also found jade jewelry and gold and silver ornaments. High levels of mercury were found in the mausoleum and indicate that it ran in troughs all throughout the building.
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What is the largest religious monument in the world and what god does it celebrate?
What is the largest religious monument in the world and what god does it celebrate?
Angkor Wat, meaning City Temple, is the world's largest religious monument. It is located in Siem Reap, Cambodia. It was built for Vishnu, a main Hindu god.
Angkor Wat, meaning City Temple, is the world's largest religious monument. It is located in Siem Reap, Cambodia. It was built for Vishnu, a main Hindu god.
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What was the function of The Stele of Hammurabi?
What was the function of The Stele of Hammurabi?
The Stele of Hammurabi lists out a code of laws for the people of Babylon to follow. There are over 300 law entries written out in the work.
Image is in the public domain, accessed through Wikipedia Media Commons: https://en.wikipedia.org/wiki/Code\_of\_Hammurabi#/media/File:Milkau\_Oberer\_Teil\_der\_Stele\_mit\_dem\_Text\_von\_Hammurapis\_Gesetzescode\_369-2.png
The Stele of Hammurabi lists out a code of laws for the people of Babylon to follow. There are over 300 law entries written out in the work.
Image is in the public domain, accessed through Wikipedia Media Commons: https://en.wikipedia.org/wiki/Code\_of\_Hammurabi#/media/File:Milkau\_Oberer\_Teil\_der\_Stele\_mit\_dem\_Text\_von\_Hammurapis\_Gesetzescode\_369-2.png
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In Yoruba art, the most important body part portrayed in statuary is the .
In Yoruba art, the most important body part portrayed in statuary is the .
The Yoruba culture of Southern Africa is one of the key artistic hubs of the region, and produces remarkable works in sculpture, jewelry, and masks. One chief feature is the usual focus on the head, which the Yoruba traditionally believe is the home of the entirety of the person. This belief is best reflected in Yoruba busts, which do not even feature necks or shoulders, only the head itself.
The Yoruba culture of Southern Africa is one of the key artistic hubs of the region, and produces remarkable works in sculpture, jewelry, and masks. One chief feature is the usual focus on the head, which the Yoruba traditionally believe is the home of the entirety of the person. This belief is best reflected in Yoruba busts, which do not even feature necks or shoulders, only the head itself.
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Traditional African masks typically portray all of the following EXCEPT .
Traditional African masks typically portray all of the following EXCEPT .
African masks are one of the chief examples of sub-Saharan artwork and are traditionally used in various African religious ceremonies. These ceremonies reflect traditional religious beliefs, which are usually based on spirit animism and ancestor worship; therefore, it is thought that the masks often allow the actors to take on something more powerful than themselves, including animals, ancestors, and various kinds of spirits.
African masks are one of the chief examples of sub-Saharan artwork and are traditionally used in various African religious ceremonies. These ceremonies reflect traditional religious beliefs, which are usually based on spirit animism and ancestor worship; therefore, it is thought that the masks often allow the actors to take on something more powerful than themselves, including animals, ancestors, and various kinds of spirits.
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All of the following statements are true, in general, of the masquerade arts in Africa except .
All of the following statements are true, in general, of the masquerade arts in Africa except .
African masquerade arts have been crucially important, particularly before the advent of colonialism. They function to serve many of the societies' governmental methods, and they serve to express cultural, dramatic, and artistic purposes.
African masquerade arts have been crucially important, particularly before the advent of colonialism. They function to serve many of the societies' governmental methods, and they serve to express cultural, dramatic, and artistic purposes.
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Polytheism is a basic consistency in Egyptian art and architecture. What Egyptian pharaoh changed the official state religion to a monotheistic one, spawning a 17 year anomaly of art dedicated to Aten, the sole deity in ancient Egypt?
Polytheism is a basic consistency in Egyptian art and architecture. What Egyptian pharaoh changed the official state religion to a monotheistic one, spawning a 17 year anomaly of art dedicated to Aten, the sole deity in ancient Egypt?
During his 17 year reign, Amenhotep IV forbade the worship of any god with the exception of Aten, the power light embodied by the sun disk. This brief period represents a radical departure from what typically comprised Egyptian religion, which was a consistent cornerstone of ancient Egyptian art. An example of this is "Akhenaton Presenting a Duck to Aten."
During his 17 year reign, Amenhotep IV forbade the worship of any god with the exception of Aten, the power light embodied by the sun disk. This brief period represents a radical departure from what typically comprised Egyptian religion, which was a consistent cornerstone of ancient Egyptian art. An example of this is "Akhenaton Presenting a Duck to Aten."
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