Inferences - English Language Proficiency Test
Card 0 of 132
1 It has afforded the Author great amusement and satisfaction, during the progress of this work, to learn, from country friends and from a variety of ludicrous statements concerning himself in provincial newspapers, that more than one Yorkshire schoolmaster lays claim to being the original of Mr. Squeers. 2 One worthy, he has reason to believe, has actually consulted authorities learned in the law, as to his having good grounds on which to rest an action for libel; another, has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer; a third, perfectly remembers being waited on, last January twelve-month, by two gentlemen, one of whom held him in conversation while the other took his likeness; and, although Mr. Squeers has but one eye, and he has two, and the published sketch does not resemble him (whoever he may be) in any other respect, still he and all his friends and neighbours know at once for whom it is meant, because—the character is so like him.
3 While the Author cannot but feel the full force of the compliment thus conveyed to him, he ventures to suggest that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. 4 Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognise something belonging to themselves, and each will have a misgiving that the portrait is his own.
In the context of Sentence 3, who is the “traducer”?
1 It has afforded the Author great amusement and satisfaction, during the progress of this work, to learn, from country friends and from a variety of ludicrous statements concerning himself in provincial newspapers, that more than one Yorkshire schoolmaster lays claim to being the original of Mr. Squeers. 2 One worthy, he has reason to believe, has actually consulted authorities learned in the law, as to his having good grounds on which to rest an action for libel; another, has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer; a third, perfectly remembers being waited on, last January twelve-month, by two gentlemen, one of whom held him in conversation while the other took his likeness; and, although Mr. Squeers has but one eye, and he has two, and the published sketch does not resemble him (whoever he may be) in any other respect, still he and all his friends and neighbours know at once for whom it is meant, because—the character is so like him.
3 While the Author cannot but feel the full force of the compliment thus conveyed to him, he ventures to suggest that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. 4 Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognise something belonging to themselves, and each will have a misgiving that the portrait is his own.
In the context of Sentence 3, who is the “traducer”?
We see in Sentence 3 that a schoolteacher “has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer.” To traduce someone is to slander or speak ill of them. In the eyes of the schoolteacher, this person is the author.
Passage adapted from Charles Dickens’ Nicholas Nickleby (1838).
We see in Sentence 3 that a schoolteacher “has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer.” To traduce someone is to slander or speak ill of them. In the eyes of the schoolteacher, this person is the author.
Passage adapted from Charles Dickens’ Nicholas Nickleby (1838).
Compare your answer with the correct one above
1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."
3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.
6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.
Which of the following does not describe the passage’s setting?
1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."
3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.
6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.
Which of the following does not describe the passage’s setting?
The setting is idyllic (a synonym for peaceful) as well as bucolic and rustic (both synonyms for rural). It is also pastoral, which describes an idealized depiction of simple country life. The passage is decidedly not urban, which describes cities and metropolises.
Passage adapted from Mark Twain’s A Connecticut Yankee in King Arthur’s Court (1889)
The setting is idyllic (a synonym for peaceful) as well as bucolic and rustic (both synonyms for rural). It is also pastoral, which describes an idealized depiction of simple country life. The passage is decidedly not urban, which describes cities and metropolises.
Passage adapted from Mark Twain’s A Connecticut Yankee in King Arthur’s Court (1889)
Compare your answer with the correct one above
1 It has afforded the Author great amusement and satisfaction, during the progress of this work, to learn, from country friends and from a variety of ludicrous statements concerning himself in provincial newspapers, that more than one Yorkshire schoolmaster lays claim to being the original of Mr. Squeers. 2 One worthy, he has reason to believe, has actually consulted authorities learned in the law, as to his having good grounds on which to rest an action for libel; another, has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer; a third, perfectly remembers being waited on, last January twelve-month, by two gentlemen, one of whom held him in conversation while the other took his likeness; and, although Mr. Squeers has but one eye, and he has two, and the published sketch does not resemble him (whoever he may be) in any other respect, still he and all his friends and neighbours know at once for whom it is meant, because—the character is so like him.
3 While the Author cannot but feel the full force of the compliment thus conveyed to him, he ventures to suggest that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. 4 Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognise something belonging to themselves, and each will have a misgiving that the portrait is his own.
What is one purpose of this passage?
1 It has afforded the Author great amusement and satisfaction, during the progress of this work, to learn, from country friends and from a variety of ludicrous statements concerning himself in provincial newspapers, that more than one Yorkshire schoolmaster lays claim to being the original of Mr. Squeers. 2 One worthy, he has reason to believe, has actually consulted authorities learned in the law, as to his having good grounds on which to rest an action for libel; another, has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer; a third, perfectly remembers being waited on, last January twelve-month, by two gentlemen, one of whom held him in conversation while the other took his likeness; and, although Mr. Squeers has but one eye, and he has two, and the published sketch does not resemble him (whoever he may be) in any other respect, still he and all his friends and neighbours know at once for whom it is meant, because—the character is so like him.
3 While the Author cannot but feel the full force of the compliment thus conveyed to him, he ventures to suggest that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. 4 Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognise something belonging to themselves, and each will have a misgiving that the portrait is his own.
What is one purpose of this passage?
The passage relates the way various schoolteachers have responded to the author’s character. It does so in a vivid and humorous way, employing sarcasm and purposely euphemistic language for comical effect.
Passage adapted from Charles Dickens’ Nicholas Nickleby (1838).
The passage relates the way various schoolteachers have responded to the author’s character. It does so in a vivid and humorous way, employing sarcasm and purposely euphemistic language for comical effect.
Passage adapted from Charles Dickens’ Nicholas Nickleby (1838).
Compare your answer with the correct one above
1 It has afforded the Author great amusement and satisfaction, during the progress of this work, to learn, from country friends and from a variety of ludicrous statements concerning himself in provincial newspapers, that more than one Yorkshire schoolmaster lays claim to being the original of Mr. Squeers. 2 One worthy, he has reason to believe, has actually consulted authorities learned in the law, as to his having good grounds on which to rest an action for libel; another, has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer; a third, perfectly remembers being waited on, last January twelve-month, by two gentlemen, one of whom held him in conversation while the other took his likeness; and, although Mr. Squeers has but one eye, and he has two, and the published sketch does not resemble him (whoever he may be) in any other respect, still he and all his friends and neighbours know at once for whom it is meant, because—the character is so like him.
3 While the Author cannot but feel the full force of the compliment thus conveyed to him, he ventures to suggest that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. 4 Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognise something belonging to themselves, and each will have a misgiving that the portrait is his own.
What is another purpose of this passage?
1 It has afforded the Author great amusement and satisfaction, during the progress of this work, to learn, from country friends and from a variety of ludicrous statements concerning himself in provincial newspapers, that more than one Yorkshire schoolmaster lays claim to being the original of Mr. Squeers. 2 One worthy, he has reason to believe, has actually consulted authorities learned in the law, as to his having good grounds on which to rest an action for libel; another, has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer; a third, perfectly remembers being waited on, last January twelve-month, by two gentlemen, one of whom held him in conversation while the other took his likeness; and, although Mr. Squeers has but one eye, and he has two, and the published sketch does not resemble him (whoever he may be) in any other respect, still he and all his friends and neighbours know at once for whom it is meant, because—the character is so like him.
3 While the Author cannot but feel the full force of the compliment thus conveyed to him, he ventures to suggest that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. 4 Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognise something belonging to themselves, and each will have a misgiving that the portrait is his own.
What is another purpose of this passage?
Sentences 3 and 4 serve to explain that, although certain people may recognize themselves in the author’s character, the character is not based on a real person. Rather, the character based is on an entire class of people to which the complainers belong. Note how the author suggests “that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognize something belonging to themselves, and each will have a misgiving that the portrait is his own.”
Passage adapted from Charles Dickens’ Nicholas Nickleby (1838).
Sentences 3 and 4 serve to explain that, although certain people may recognize themselves in the author’s character, the character is not based on a real person. Rather, the character based is on an entire class of people to which the complainers belong. Note how the author suggests “that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognize something belonging to themselves, and each will have a misgiving that the portrait is his own.”
Passage adapted from Charles Dickens’ Nicholas Nickleby (1838).
Compare your answer with the correct one above
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
In Sentence 1, what does “thrown into relief” mean?
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
In Sentence 1, what does “thrown into relief” mean?
Sentence 2 elaborates upon the idea introduced in Sentence 1. Miss Brooke’s physical beauty is so great that plain, “bare,” or “poor” clothes only serve to underscore or emphasis it. None of the other words make sense when substituted into the passage.
Passage adapted from George Eliot’s Middlemarch (1871)
Sentence 2 elaborates upon the idea introduced in Sentence 1. Miss Brooke’s physical beauty is so great that plain, “bare,” or “poor” clothes only serve to underscore or emphasis it. None of the other words make sense when substituted into the passage.
Passage adapted from George Eliot’s Middlemarch (1871)
Compare your answer with the correct one above
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
To what does “mixed conditions” (Sentence 3) refer?
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
To what does “mixed conditions” (Sentence 3) refer?
The paragraph in which “mixed conditions” appears discusses the Brooke sisters’ social status. It mentions their ancestors, their “respectable family estate” (Sentence 4), and their “birth,” or family’s social position. Thus, the “mixed conditions” denote the women’s good family name but modest income.
Passage adapted from George Eliot’s Middlemarch (1871)
The paragraph in which “mixed conditions” appears discusses the Brooke sisters’ social status. It mentions their ancestors, their “respectable family estate” (Sentence 4), and their “birth,” or family’s social position. Thus, the “mixed conditions” denote the women’s good family name but modest income.
Passage adapted from George Eliot’s Middlemarch (1871)
Compare your answer with the correct one above
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
What is the author indicating with the phrase “yard-measuring or parcel-tying forefathers” (Sentence 4)?
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
What is the author indicating with the phrase “yard-measuring or parcel-tying forefathers” (Sentence 4)?
Sentence 4 goes on to elaborate upon this curious phrase: “yard-measuring or parcel-tying forefathers — anything lower than an admiral or a clergyman.” Thus we can see that “admiral and clergyman,” both fairly respected positions, is in contrast to “yard-measuring or parcel-tying forefathers.” The only choice that makes sense in this context is working-class men (“farmers” is too specific).
Passage adapted from George Eliot’s Middlemarch (1871)
Sentence 4 goes on to elaborate upon this curious phrase: “yard-measuring or parcel-tying forefathers — anything lower than an admiral or a clergyman.” Thus we can see that “admiral and clergyman,” both fairly respected positions, is in contrast to “yard-measuring or parcel-tying forefathers.” The only choice that makes sense in this context is working-class men (“farmers” is too specific).
Passage adapted from George Eliot’s Middlemarch (1871)
Compare your answer with the correct one above
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
In Sentence 5, to what does “frippery” refer?
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
In Sentence 5, to what does “frippery” refer?
While Sentences 3 and 4 digress somewhat from the main topic of Sentences 1 and 2 (Miss Brooke’s style of clothing), Sentence 5 returns to the subject. Sentence 5 also notes that middle-class, respectable women such as the Brooke sisters regard this “frippery” as beneath their social position. Thus, it stands to reason that the “frippery” in question is foolishly ornate clothing.
Passage adapted from George Eliot’s Middlemarch (1871)
While Sentences 3 and 4 digress somewhat from the main topic of Sentences 1 and 2 (Miss Brooke’s style of clothing), Sentence 5 returns to the subject. Sentence 5 also notes that middle-class, respectable women such as the Brooke sisters regard this “frippery” as beneath their social position. Thus, it stands to reason that the “frippery” in question is foolishly ornate clothing.
Passage adapted from George Eliot’s Middlemarch (1871)
Compare your answer with the correct one above
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
In Sentence 4, what does “proprietor” mean?
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
In Sentence 4, what does “proprietor” mean?
The surrounding context is useful for this question. The beginning of Sentence 4 establishes that the Brookes’ social class was respectable, and the end of the sentence establishes a similar idea: the family “managed to come out of all political troubles” with a “respectable family estate.” “Owner” is the only choice that makes the idea of the second half of the sentence match the first half. (A harbinger is an omen, a spendthrift is a person who squanders money, and an iconoclast is a rule breaker. None of these choices make sense in context.)
Passage adapted from George Eliot’s Middlemarch (1871)
The surrounding context is useful for this question. The beginning of Sentence 4 establishes that the Brookes’ social class was respectable, and the end of the sentence establishes a similar idea: the family “managed to come out of all political troubles” with a “respectable family estate.” “Owner” is the only choice that makes the idea of the second half of the sentence match the first half. (A harbinger is an omen, a spendthrift is a person who squanders money, and an iconoclast is a rule breaker. None of these choices make sense in context.)
Passage adapted from George Eliot’s Middlemarch (1871)
Compare your answer with the correct one above
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
In Sentence 4, what action is suggested by the phrase “if you inquired backward for a generation or two”?
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
In Sentence 4, what action is suggested by the phrase “if you inquired backward for a generation or two”?
“Inquiring backward a generation or two” is a quaint way of suggesting genealogical research. There is nothing in this passage to indicate that the townspeople or elders can provide information about the Brookes’ heritage, nor is there anything to suggest that the evidence uncovered would be damning. The author simply means that, if someone were to consult a genealogical record that extended several generations into the past, they would discover more information about the Brookes’ ancestors.
Passage adapted from George Eliot’s Middlemarch (1871)
“Inquiring backward a generation or two” is a quaint way of suggesting genealogical research. There is nothing in this passage to indicate that the townspeople or elders can provide information about the Brookes’ heritage, nor is there anything to suggest that the evidence uncovered would be damning. The author simply means that, if someone were to consult a genealogical record that extended several generations into the past, they would discover more information about the Brookes’ ancestors.
Passage adapted from George Eliot’s Middlemarch (1871)
Compare your answer with the correct one above
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
Based on the passage, it can be inferred that “Cromwell” was a ______________.
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
Based on the passage, it can be inferred that “Cromwell” was a ______________.
The reference to Cromwell appears in Sentence 4 and denotes a historical man, Oliver Cromwell, who was a 17th-century leader of England before being overthrown. Although it’s tempting to choose the “religious leader” options because the Brookes’ ancestor is described as “a Puritan gentleman,” read more closely. This same ancestor, after serving under Cromwell and then “conforming” or reversing his opinions back to the political majority, “managed to come out of all political troubles,” not religious troubles.
Passage adapted from George Eliot’s Middlemarch (1871)
The reference to Cromwell appears in Sentence 4 and denotes a historical man, Oliver Cromwell, who was a 17th-century leader of England before being overthrown. Although it’s tempting to choose the “religious leader” options because the Brookes’ ancestor is described as “a Puritan gentleman,” read more closely. This same ancestor, after serving under Cromwell and then “conforming” or reversing his opinions back to the political majority, “managed to come out of all political troubles,” not religious troubles.
Passage adapted from George Eliot’s Middlemarch (1871)
Compare your answer with the correct one above
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
Why does the author mention the “village church hardly larger than a parlor” in Sentence 5?
1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…
3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.
Why does the author mention the “village church hardly larger than a parlor” in Sentence 5?
The author is not primarily concerned with establishing setting in this passage. Rather, she is interested in describing her two main characters. Noting that the sisters live “in a quiet country-house” and attend “attending a village church hardly larger than a parlor” is a way to further develop their social class and habits.
Passage adapted from George Eliot’s Middlemarch (1871)
The author is not primarily concerned with establishing setting in this passage. Rather, she is interested in describing her two main characters. Noting that the sisters live “in a quiet country-house” and attend “attending a village church hardly larger than a parlor” is a way to further develop their social class and habits.
Passage adapted from George Eliot’s Middlemarch (1871)
Compare your answer with the correct one above
1 It has afforded the Author great amusement and satisfaction, during the progress of this work, to learn, from country friends and from a variety of ludicrous statements concerning himself in provincial newspapers, that more than one Yorkshire schoolmaster lays claim to being the original of Mr. Squeers. 2 One worthy, he has reason to believe, has actually consulted authorities learned in the law, as to his having good grounds on which to rest an action for libel; another, has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer; a third, perfectly remembers being waited on, last January twelve-month, by two gentlemen, one of whom held him in conversation while the other took his likeness; and, although Mr. Squeers has but one eye, and he has two, and the published sketch does not resemble him (whoever he may be) in any other respect, still he and all his friends and neighbours know at once for whom it is meant, because—the character is so like him.
3 While the Author cannot but feel the full force of the compliment thus conveyed to him, he ventures to suggest that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. 4 Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognise something belonging to themselves, and each will have a misgiving that the portrait is his own.
How does the author view the schoolteachers’ response to his character?
1 It has afforded the Author great amusement and satisfaction, during the progress of this work, to learn, from country friends and from a variety of ludicrous statements concerning himself in provincial newspapers, that more than one Yorkshire schoolmaster lays claim to being the original of Mr. Squeers. 2 One worthy, he has reason to believe, has actually consulted authorities learned in the law, as to his having good grounds on which to rest an action for libel; another, has meditated a journey to London, for the express purpose of committing an assault and battery on his traducer; a third, perfectly remembers being waited on, last January twelve-month, by two gentlemen, one of whom held him in conversation while the other took his likeness; and, although Mr. Squeers has but one eye, and he has two, and the published sketch does not resemble him (whoever he may be) in any other respect, still he and all his friends and neighbours know at once for whom it is meant, because—the character is so like him.
3 While the Author cannot but feel the full force of the compliment thus conveyed to him, he ventures to suggest that these contentions may arise from the fact, that Mr. Squeers is the representative of a class, and not of an individual. 4 Where imposture, ignorance, and brutal cupidity, are the stock in trade of a small body of men, and one is described by these characteristics, all his fellows will recognise something belonging to themselves, and each will have a misgiving that the portrait is his own.
How does the author view the schoolteachers’ response to his character?
We can tell that the author’s response is one of humor by lines in Sentence 1 (“It has afforded the Author great amusement and satisfaction…”) and Sentence 3 (“While the Author cannot but feel the full force of the compliment thus conveyed to him…”). The author is being a bit sarcastic by discussing the schoolteachers’ attempted legal action as a “compliment,” so we know the humor is tempered with irony. Hence: wryness.
Passage adapted from Charles Dickens’ Nicholas Nickleby (1838).
We can tell that the author’s response is one of humor by lines in Sentence 1 (“It has afforded the Author great amusement and satisfaction…”) and Sentence 3 (“While the Author cannot but feel the full force of the compliment thus conveyed to him…”). The author is being a bit sarcastic by discussing the schoolteachers’ attempted legal action as a “compliment,” so we know the humor is tempered with irony. Hence: wryness.
Passage adapted from Charles Dickens’ Nicholas Nickleby (1838).
Compare your answer with the correct one above
"The period under five years of age is one of very rapid growth. There is probably no other time in the life history of the individual when the body and mind are so responsive to environment and impressions, and when so much can be done to build up good health as during the preschool age."
-Passage adapted from Healthy Children: A Volume Devoted to the Health of the Growing Child, by Sara Josephine Bake (1920)
What was most likely the author's occupation?
"The period under five years of age is one of very rapid growth. There is probably no other time in the life history of the individual when the body and mind are so responsive to environment and impressions, and when so much can be done to build up good health as during the preschool age."
-Passage adapted from Healthy Children: A Volume Devoted to the Health of the Growing Child, by Sara Josephine Bake (1920)
What was most likely the author's occupation?
Although this passage teaches something about children, the most likely occupation (job) of the author is not a teacher or mother. The author speaks in scientific, medial terms that are research-based and is most likely a physician/doctor.
Although this passage teaches something about children, the most likely occupation (job) of the author is not a teacher or mother. The author speaks in scientific, medial terms that are research-based and is most likely a physician/doctor.
Compare your answer with the correct one above
Since its discovery and classification as the ninth planet in our solar system in 1930, Pluto has been the subject of much controversy in the scientific community. Its small size and extreme distance from Earth have made gathering specific data about its characteristics difficult, and no real consensus exists amongst astronomers about the information that is known about Pluto. In 2006, the International Astronomical Union created an official definition for the term "planet" which listed three criteria for classification:
- The object must be in orbit around the sun.
- The object must be massive enough to be rounded into a sphere by its own gravity.
- The object must have "cleared the neighborhood" around its orbit.
Because Pluto is much smaller than the other objects in its orbit, it fails to meet the third condition and has since been known as a "dwarf planet". Some scientists have gone so far as to suggest that Pluto may actually be one of the many moons of its neighboring planet, Neptune.
When Pluto was first discovered in 1930, astronomers estimated that it may be as large as earth and thus were confident that it was, in fact, a planet. As our ability to gather information about outer space continues to improve through more powerful telescopes and space probes, scientists are now able to use the new, more accurate information they receive to accurately classify objects in space. While some still argue that Pluto meets the accepted criteria to be known as a planet, for the time being, conventional scientific thinking will hold that our solar system only has eight planets.
How were scientists able to estimate Pluto's size in 1930?
Since its discovery and classification as the ninth planet in our solar system in 1930, Pluto has been the subject of much controversy in the scientific community. Its small size and extreme distance from Earth have made gathering specific data about its characteristics difficult, and no real consensus exists amongst astronomers about the information that is known about Pluto. In 2006, the International Astronomical Union created an official definition for the term "planet" which listed three criteria for classification:
- The object must be in orbit around the sun.
- The object must be massive enough to be rounded into a sphere by its own gravity.
- The object must have "cleared the neighborhood" around its orbit.
Because Pluto is much smaller than the other objects in its orbit, it fails to meet the third condition and has since been known as a "dwarf planet". Some scientists have gone so far as to suggest that Pluto may actually be one of the many moons of its neighboring planet, Neptune.
When Pluto was first discovered in 1930, astronomers estimated that it may be as large as earth and thus were confident that it was, in fact, a planet. As our ability to gather information about outer space continues to improve through more powerful telescopes and space probes, scientists are now able to use the new, more accurate information they receive to accurately classify objects in space. While some still argue that Pluto meets the accepted criteria to be known as a planet, for the time being, conventional scientific thinking will hold that our solar system only has eight planets.
How were scientists able to estimate Pluto's size in 1930?
The last paragraph mentions "improved telescopes," thus implying that the ones available in 1930 were more primitive in nature. Since no mention is made of space probes or any other type of data gathering devices being used in 1930, we can conclude that scientists relied on telescopes as their primary source of data.
The last paragraph mentions "improved telescopes," thus implying that the ones available in 1930 were more primitive in nature. Since no mention is made of space probes or any other type of data gathering devices being used in 1930, we can conclude that scientists relied on telescopes as their primary source of data.
Compare your answer with the correct one above
Since its discovery and classification as the ninth planet in our solar system in 1930, Pluto has been the subject of much controversy in the scientific community. Its small size and extreme distance from Earth have made gathering specific data about its characteristics difficult, and no real consensus exists amongst astronomers about the information that is known about Pluto. In 2006, the International Astronomical Union created an official definition for the term "planet" which listed three criteria for classification:
- The object must be in orbit around the sun.
- The object must be massive enough to be rounded into a sphere by its own gravity.
- The object must have "cleared the neighborhood" around its orbit.
Because Pluto is much smaller than the other objects in its orbit, it fails to meet the third condition and has since been known as a "dwarf planet". Some scientists have gone so far as to suggest that Pluto may actually be one of the many moons of its neighboring planet, Neptune.
When Pluto was first discovered in 1930, astronomers estimated that it may be as large as earth and thus were confident that it was, in fact, a planet. As our ability to gather information about outer space continues to improve through more powerful telescopes and space probes, scientists are now able to use the new, more accurate information they receive to accurately classify objects in space. While some still argue that Pluto meets the accepted criteria to be known as a planet, for the time being, conventional scientific thinking will hold that our solar system only has eight planets.
Based on the passage, it can be inferred that ________________.
Since its discovery and classification as the ninth planet in our solar system in 1930, Pluto has been the subject of much controversy in the scientific community. Its small size and extreme distance from Earth have made gathering specific data about its characteristics difficult, and no real consensus exists amongst astronomers about the information that is known about Pluto. In 2006, the International Astronomical Union created an official definition for the term "planet" which listed three criteria for classification:
- The object must be in orbit around the sun.
- The object must be massive enough to be rounded into a sphere by its own gravity.
- The object must have "cleared the neighborhood" around its orbit.
Because Pluto is much smaller than the other objects in its orbit, it fails to meet the third condition and has since been known as a "dwarf planet". Some scientists have gone so far as to suggest that Pluto may actually be one of the many moons of its neighboring planet, Neptune.
When Pluto was first discovered in 1930, astronomers estimated that it may be as large as earth and thus were confident that it was, in fact, a planet. As our ability to gather information about outer space continues to improve through more powerful telescopes and space probes, scientists are now able to use the new, more accurate information they receive to accurately classify objects in space. While some still argue that Pluto meets the accepted criteria to be known as a planet, for the time being, conventional scientific thinking will hold that our solar system only has eight planets.
Based on the passage, it can be inferred that ________________.
Since Pluto was the only one of nine "planets" to be reclassified, we can reasonably infer that the other eight meet the criteria established by the International Astronomical Association. No evidence is provided to suggest that other planets are being considered for reclassification. No mention is made of the criteria used to classify Pluto as a planet in 1930.
Since Pluto was the only one of nine "planets" to be reclassified, we can reasonably infer that the other eight meet the criteria established by the International Astronomical Association. No evidence is provided to suggest that other planets are being considered for reclassification. No mention is made of the criteria used to classify Pluto as a planet in 1930.
Compare your answer with the correct one above
Passage adapted from The Call of the Wild by Jack London (1903)
Again Hal's whip fell upon the dogs. They threw themselves against the breast-bands, dug their feet into the packed snow, got down low to it, and put forth all their strength. The sled held as though it were an anchor. After two efforts, they stood still, panting. The whip was whistling savagely, when once more Mercedes interfered. She dropped on her knees before Buck, with tears in her eyes, and put her arms around his neck.
"You poor, poor dears," she cried sympathetically, "why don't you pull hard?--then you wouldn't be whipped." Buck did not like her, but he was feeling too miserable to resist her, taking it as part of the day's miserable work.
One of the onlookers, who had been clenching his teeth to suppress hot speech, now spoke up:--
"It's not that I care a whoop what becomes of you, but for the dogs' sakes I just want to tell you, you can help them a mighty lot by breaking out that sled. The runners are froze fast. Throw your weight against the gee-pole, right and left, and break it out."
A third time the attempt was made, but this time, following the advice, Hal broke out the runners which had been frozen to the snow. The overloaded and unwieldy sled forged ahead, Buck and his mates struggling frantically under the rain of blows. A hundred yards ahead the path turned and sloped steeply into the main street. It would have required an experienced man to keep the top-heavy sled upright, and Hal was not such a man. As they swung on the turn the sled went over, spilling half its load through the loose lashings. The dogs never stopped. The lightened sled bounded on its side behind them. They were angry because of the ill treatment they had received and the unjust load. Buck was raging. He broke into a run, the team following his lead. Hal cried "Whoa! whoa!" but they gave no heed. He tripped and was pulled off his feet. The capsized sled ground over him, and the dogs dashed on up the street, adding to the gayety of Skaguay as they scattered the remainder of the outfit along its chief thoroughfare.
Based on the passage, it can be inferred that ________________.
Passage adapted from The Call of the Wild by Jack London (1903)
Again Hal's whip fell upon the dogs. They threw themselves against the breast-bands, dug their feet into the packed snow, got down low to it, and put forth all their strength. The sled held as though it were an anchor. After two efforts, they stood still, panting. The whip was whistling savagely, when once more Mercedes interfered. She dropped on her knees before Buck, with tears in her eyes, and put her arms around his neck.
"You poor, poor dears," she cried sympathetically, "why don't you pull hard?--then you wouldn't be whipped." Buck did not like her, but he was feeling too miserable to resist her, taking it as part of the day's miserable work.
One of the onlookers, who had been clenching his teeth to suppress hot speech, now spoke up:--
"It's not that I care a whoop what becomes of you, but for the dogs' sakes I just want to tell you, you can help them a mighty lot by breaking out that sled. The runners are froze fast. Throw your weight against the gee-pole, right and left, and break it out."
A third time the attempt was made, but this time, following the advice, Hal broke out the runners which had been frozen to the snow. The overloaded and unwieldy sled forged ahead, Buck and his mates struggling frantically under the rain of blows. A hundred yards ahead the path turned and sloped steeply into the main street. It would have required an experienced man to keep the top-heavy sled upright, and Hal was not such a man. As they swung on the turn the sled went over, spilling half its load through the loose lashings. The dogs never stopped. The lightened sled bounded on its side behind them. They were angry because of the ill treatment they had received and the unjust load. Buck was raging. He broke into a run, the team following his lead. Hal cried "Whoa! whoa!" but they gave no heed. He tripped and was pulled off his feet. The capsized sled ground over him, and the dogs dashed on up the street, adding to the gayety of Skaguay as they scattered the remainder of the outfit along its chief thoroughfare.
Based on the passage, it can be inferred that ________________.
The lines "taking it as part of the day's miserable work" and "they were angry because of the ill treatment they had received" indicate that the dogs had been mistreated in the past.
The lines "taking it as part of the day's miserable work" and "they were angry because of the ill treatment they had received" indicate that the dogs had been mistreated in the past.
Compare your answer with the correct one above
Passage adapted from The Call of the Wild by Jack London (1903)
Again Hal's whip fell upon the dogs. They threw themselves against the breast-bands, dug their feet into the packed snow, got down low to it, and put forth all their strength. The sled held as though it were an anchor. After two efforts, they stood still, panting. The whip was whistling savagely, when once more Mercedes interfered. She dropped on her knees before Buck, with tears in her eyes, and put her arms around his neck.
"You poor, poor dears," she cried sympathetically, "why don't you pull hard?--then you wouldn't be whipped." Buck did not like her, but he was feeling too miserable to resist her, taking it as part of the day's miserable work.
One of the onlookers, who had been clenching his teeth to suppress hot speech, now spoke up:--
"It's not that I care a whoop what becomes of you, but for the dogs' sakes I just want to tell you, you can help them a mighty lot by breaking out that sled. The runners are froze fast. Throw your weight against the gee-pole, right and left, and break it out."
A third time the attempt was made, but this time, following the advice, Hal broke out the runners which had been frozen to the snow. The overloaded and unwieldy sled forged ahead, Buck and his mates struggling frantically under the rain of blows. A hundred yards ahead the path turned and sloped steeply into the main street. It would have required an experienced man to keep the top-heavy sled upright, and Hal was not such a man. As they swung on the turn the sled went over, spilling half its load through the loose lashings. The dogs never stopped. The lightened sled bounded on its side behind them. They were angry because of the ill treatment they had received and the unjust load. Buck was raging. He broke into a run, the team following his lead. Hal cried "Whoa! whoa!" but they gave no heed. He tripped and was pulled off his feet. The capsized sled ground over him, and the dogs dashed on up the street, adding to the gayety of Skaguay as they scattered the remainder of the outfit along its chief thoroughfare.
Based on the passage, it can be inferred that __________________.
Passage adapted from The Call of the Wild by Jack London (1903)
Again Hal's whip fell upon the dogs. They threw themselves against the breast-bands, dug their feet into the packed snow, got down low to it, and put forth all their strength. The sled held as though it were an anchor. After two efforts, they stood still, panting. The whip was whistling savagely, when once more Mercedes interfered. She dropped on her knees before Buck, with tears in her eyes, and put her arms around his neck.
"You poor, poor dears," she cried sympathetically, "why don't you pull hard?--then you wouldn't be whipped." Buck did not like her, but he was feeling too miserable to resist her, taking it as part of the day's miserable work.
One of the onlookers, who had been clenching his teeth to suppress hot speech, now spoke up:--
"It's not that I care a whoop what becomes of you, but for the dogs' sakes I just want to tell you, you can help them a mighty lot by breaking out that sled. The runners are froze fast. Throw your weight against the gee-pole, right and left, and break it out."
A third time the attempt was made, but this time, following the advice, Hal broke out the runners which had been frozen to the snow. The overloaded and unwieldy sled forged ahead, Buck and his mates struggling frantically under the rain of blows. A hundred yards ahead the path turned and sloped steeply into the main street. It would have required an experienced man to keep the top-heavy sled upright, and Hal was not such a man. As they swung on the turn the sled went over, spilling half its load through the loose lashings. The dogs never stopped. The lightened sled bounded on its side behind them. They were angry because of the ill treatment they had received and the unjust load. Buck was raging. He broke into a run, the team following his lead. Hal cried "Whoa! whoa!" but they gave no heed. He tripped and was pulled off his feet. The capsized sled ground over him, and the dogs dashed on up the street, adding to the gayety of Skaguay as they scattered the remainder of the outfit along its chief thoroughfare.
Based on the passage, it can be inferred that __________________.
The phrase "adding to the gayety of Skaguay" at the end of the passage implies that the onlookers felt that Hal was being punished for his earlier mistreatment of the dogs.
The phrase "adding to the gayety of Skaguay" at the end of the passage implies that the onlookers felt that Hal was being punished for his earlier mistreatment of the dogs.
Compare your answer with the correct one above
This passage is an adapted from Up From Slavery by Booker T. Washington (1901)
To those of the white race who look to the incoming of those of foreign birth and strange tongue and habits for the prosperity of the South, were I permitted I would repeat what I say to my own race, “Cast down your bucket where you are.” Cast it down among the eight millions of Negroes whose habits you know, whose fidelity and love you have tested in days when to have proved treacherous meant the ruin of your firesides. Cast down your bucket among these people who have, without strikes and labour wars, tilled your fields, cleared your forests, builded your railroads and cities, and brought forth treasures from the bowels of the earth, and helped make possible this magnificent representation of the progress of the South. Casting down your bucket among my people, helping and encouraging them as you are doing on these grounds, and to education of head, hand, and heart, you will find that they will buy your surplus land, make blossom the waste places in your fields, and run your factories. While doing this, you can be sure in the future, as in the past, that you and your families will be surrounded by the most patient, faithful, law-abiding, and unresentful people that the world has seen. As we have proved our loyalty to you in the past, in nursing your children, watching by the sick-bed of your mothers and fathers, and often following them with tear-dimmed eyes to their graves, so in the future, in our humble way, we shall stand by you with a devotion that no foreigner can approach, ready to lay down our lives, if need be, in defence of yours, interlacing our industrial, commercial, civil, and religious life with yours in a way that shall make the interests of both races one. In all things that are purely social we can be as separate as the fingers, yet one as the hand in all things essential to mutual progress.
From the passage, we can infer that the speaker uses the bolded and underlined word "unresentful" in order to _______________.
This passage is an adapted from Up From Slavery by Booker T. Washington (1901)
To those of the white race who look to the incoming of those of foreign birth and strange tongue and habits for the prosperity of the South, were I permitted I would repeat what I say to my own race, “Cast down your bucket where you are.” Cast it down among the eight millions of Negroes whose habits you know, whose fidelity and love you have tested in days when to have proved treacherous meant the ruin of your firesides. Cast down your bucket among these people who have, without strikes and labour wars, tilled your fields, cleared your forests, builded your railroads and cities, and brought forth treasures from the bowels of the earth, and helped make possible this magnificent representation of the progress of the South. Casting down your bucket among my people, helping and encouraging them as you are doing on these grounds, and to education of head, hand, and heart, you will find that they will buy your surplus land, make blossom the waste places in your fields, and run your factories. While doing this, you can be sure in the future, as in the past, that you and your families will be surrounded by the most patient, faithful, law-abiding, and unresentful people that the world has seen. As we have proved our loyalty to you in the past, in nursing your children, watching by the sick-bed of your mothers and fathers, and often following them with tear-dimmed eyes to their graves, so in the future, in our humble way, we shall stand by you with a devotion that no foreigner can approach, ready to lay down our lives, if need be, in defence of yours, interlacing our industrial, commercial, civil, and religious life with yours in a way that shall make the interests of both races one. In all things that are purely social we can be as separate as the fingers, yet one as the hand in all things essential to mutual progress.
From the passage, we can infer that the speaker uses the bolded and underlined word "unresentful" in order to _______________.
The title, Up From Slavery implies that the speaker is addressing the condition of former slaves in the American South. Thus, we can infer that the slavery would be the main cause of any possible resentment that African-Americans feel towards white Southerners.
The title, Up From Slavery implies that the speaker is addressing the condition of former slaves in the American South. Thus, we can infer that the slavery would be the main cause of any possible resentment that African-Americans feel towards white Southerners.
Compare your answer with the correct one above
This passage is adapted from Sister Carrie by Theodore Dreiser (1901)
The nature of these vast retail combinations, should they ever permanently disappear, will form an interesting chapter in the commercial history of our nation. Such a flowering out of a modest trade principle the world had never witnessed up to that time. They were along the line of the most effective retail organization, with hundreds of stores coordinated into one, and laid out upon the most imposing and economic basis. They were handsome, bustling, successful affairs, with a host of clerks and a swarm of patrons. Carrie passed along the busy aisles, much affected by the remarkable displays of trinkets, dress goods, shoes, stationery, jewelry. Each separate counter was a show place of dazzling interest and attraction. She could not help feeling the claim of each trinket and valuable upon her personally and yet she did not stop. There was nothing there which she could not have used—nothing which she did not long to own. The dainty slippers and stockings, the delicately frilled skirts and petticoats, the laces, ribbons, hair-combs, purses, all touched her with individual desire, and she felt keenly the fact that not any of these things were in the range of her purchase. She was a work-seeker, an outcast without employment, one whom the average employé could tell at a glance was poor and in need of a situation.
From the passage, we can infer that Carrie __________________.
This passage is adapted from Sister Carrie by Theodore Dreiser (1901)
The nature of these vast retail combinations, should they ever permanently disappear, will form an interesting chapter in the commercial history of our nation. Such a flowering out of a modest trade principle the world had never witnessed up to that time. They were along the line of the most effective retail organization, with hundreds of stores coordinated into one, and laid out upon the most imposing and economic basis. They were handsome, bustling, successful affairs, with a host of clerks and a swarm of patrons. Carrie passed along the busy aisles, much affected by the remarkable displays of trinkets, dress goods, shoes, stationery, jewelry. Each separate counter was a show place of dazzling interest and attraction. She could not help feeling the claim of each trinket and valuable upon her personally and yet she did not stop. There was nothing there which she could not have used—nothing which she did not long to own. The dainty slippers and stockings, the delicately frilled skirts and petticoats, the laces, ribbons, hair-combs, purses, all touched her with individual desire, and she felt keenly the fact that not any of these things were in the range of her purchase. She was a work-seeker, an outcast without employment, one whom the average employé could tell at a glance was poor and in need of a situation.
From the passage, we can infer that Carrie __________________.
The author states that Carrie is, "a work seeker, an outcast without employment" and that she, "felt keenly the fact that not any of these things were in the range of her purchase." Thus we can infer that she does not have the money to buy anything in the store.
The author states that Carrie is, "a work seeker, an outcast without employment" and that she, "felt keenly the fact that not any of these things were in the range of her purchase." Thus we can infer that she does not have the money to buy anything in the store.
Compare your answer with the correct one above