Rhetorical purpose of an excerpt - English Language Proficiency Test

1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."

3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.

6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.

What role does the “circus man” (Sentence 7) play in the passage?

1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."

3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.

6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.

In Sentence 6, what does “a fair slip of a girl” describe?

1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."

3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.

6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.

What emotion is conveyed by the line “was too many for me” (Sentence 12)?

1 Ye who listen with credulity to the whispers of fancy, and pursue with eagerness the phantoms of hope; who expect that age will perform the promises of youth, and that the deficiencies of the present day will be supplied by the morrow, attend to the history of Rasselas, Prince of Abyssinia.

2 … According to the custom which has descended from age to age among the monarchs of the torrid zone, Rasselas was confined in a private palace, with the other sons and daughters of Abyssinian royalty, till the order of succession should call him to the throne.

3 The place which the wisdom or policy of antiquity had destined for the residence of the Abyssinian princes was a spacious valley in the kingdom of Amhara, surrounded on every side by mountains, of which the summits overhang the middle part. 4 The only passage by which it could be entered was a cavern that passed under a rock, \[and the\] outlet of the cavern was concealed by a thick wood, and the mouth which opened into the valley was closed with gates of iron, forged by the artificers of ancient days, so massive that no man, without the help of engines, could open or shut them.

5 From the mountains on every side rivulets descended that filled all the valley with verdure and fertility, and formed a lake in the middle, inhabited by fish of every species, and frequented by every fowl whom nature has taught to dip the wing in water. 6 This lake discharged its superfluities by a stream, which entered a dark cleft of the mountain on the northern side, and fell with dreadful noise from precipice to precipice till it was heard no more.

What is the primary purpose of this passage?

1 Of the monstrous neglect of education in England, and the disregard of it by the State as a means of forming good or bad citizens, and miserable or happy men, private schools long afforded a notable example. 2 Although any man who had proved his unfitness for any other occupation in life, was free, without examination or qualification, to open a school anywhere; although preparation for the functions he undertook, was required in the surgeon who assisted to bring a boy into the world, or might one day assist, perhaps, to send him out of it; in the chemist, the attorney, the butcher, the baker, the candlestick maker; the whole round of crafts and trades, the schoolmaster excepted; and although schoolmasters, as a race, were the blockheads and impostors who might naturally be expected to spring from such a state of things, and to flourish in it; these Yorkshire schoolmasters were the lowest and most rotten round in the whole ladder. 3 Traders in the avarice, indifference, or imbecility of parents, and the helplessness of children; ignorant, sordid, brutal men, to whom few considerate persons would have entrusted the board and lodging of a horse or a dog; they formed the worthy cornerstone of a structure, which, for absurdity and a magnificent high-minded Laissez-Aller neglect, has rarely been exceeded in the world.

… 4 I cannot call to mind, now, how I came to hear about Yorkshire schools when I was a not very robust child, sitting in bye-places near Rochester Castle, with a head full of Partridge, Strap, Tom Pipes, and Sancho Panza; but I know that my first impressions of them were picked up at that time, and that they were somehow or other connected with a suppurated abscess that some boy had come home with, in consequence of his Yorkshire guide, philosopher, and friend, having ripped it open with an inky pen-knife.

What is the main point of Sentence 1?

1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…

3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.

What literary technique appears in Sentence 2?

1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…

3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.

Which sentence in this passage contains an example of litotes?

1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."

3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.

6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.

What is the purpose of Sentence 2?

Passage adapted from Political Ideals by Bertrand Russell (1918)

...Security and liberty are only the negative conditions for good political institutions. When they have been won, we need also the positive condition: encouragement of creative energy. Security alone might produce a smug and stagnant society; it demands creativeness as its counterpart, in order to keep alive the adventure and interest of life, and the movement toward perpetually new and better things. There can be no final goal for human institutions; the best are those that most encourage progress toward others still better. Without effort and change, human life cannot remain good. It is not a finished Utopia that we ought to desire, but a world where imagination and hope are alive and active.

What is the conclusion of the passage's argument?

Passage adapted from Principia Ethica by G.E. Moore (1903)

It is very easy to point out some among our every-day judgments, with the truth of which Ethics is undoubtedly concerned. Whenever we say, So and so is a good man, or That fellow is a villain; whenever we ask What ought I to do? or Is it wrong for me to do like this?; whenever we hazard such remarks as Temperance is a virtue and drunkenness a vice—it is undoubtedly the business of Ethics to discuss such questions and such statements; to argue what is the true answer when we ask what it is right to do, and to give reasons for thinking that our statements about the character of persons or the morality of actions are true or false. In the vast majority of cases, where we make statements involving any of the terms virtue, vice, duty, right, ought, good, bad, we are making ethical judgments; and if we wish to discuss their truth, we shall be discussing a point of Ethics.

So much as this is not disputed; but it falls very far short of defining the province of Ethics. That province may indeed be defined as the whole truth about that which is at the same time common to all such judgments and peculiar to them. But we have still to ask the question: What is it that is thus common and peculiar? And this is a question to which very different answers have been given by ethical philosophers of acknowledged reputation, and none of them, perhaps, completely satisfactory.

What is the purpose of the passage?

Passage adapted from "The Significance of the Frontier in American History" written and delivered by Frederick Jackson Turner during the 1893 World's Columbian Exposition.

The American frontier is sharply distinguished from the European frontier  a fortified boundary line running through dense populations. The most significant thing about the American frontier is, that it lies at the hither edge of free land. In the census reports it is treated as the margin of that settlement which has a density of two or more to the square mile. The term is an elastic one, and for our purposes does not need sharp definition. We shall consider the whole frontier belt, including the Indian country and the outer margin of the ìsettled areaî of the census reports. This paper will make no attempt to treat the subject exhaustively; its aim is simply to call attention to the frontier as a fertile field for investigation, and to suggest some of the problems which arise in connection with it.

In the settlement of America we have to observe how European life entered the continent, and how America modified and developed that life and reacted on Europe. Our early history is the study of European germs developing in an American environment. Too exclusive attention has been paid by institutional students to the Germanic origins, too little to the American factors. The frontier is the line of most rapid and effective Americanization. The wilderness masters the colonist. It finds him a European in dress, industries, tools, modes of travel, and thought. It takes him from the railroad car and puts him in the birch canoe. It strips off the garments of civilization and arrays him in the hunting shirt and the moccasin. It puts him in the log cabin of the Cherokee and Iroquois and runs an Indian palisade around him. Before long he has gone to planting Indian corn and plowing with a sharp stick, he shouts the war cry and takes the scalp in orthodox Indian fashion. In short, at the frontier the environment is at first too strong for the man. He must accept the conditions which it furnishes, or perish, and so he fits himself into the Indian clearings and follows the Indian trails. Little by little he transforms the wilderness, but the outcome is not the old Europe, not simply the development of Germanic germs, any more than the first phenomenon was a case of reversion to the Germanic mark. The fact is, that here is a new product that is American. At first, the frontier was the Atlantic coast. It was the frontier of Europe in a very real sense. Moving westward, the frontier became more and more American. As successive terminal moraines result from successive glaciations, so each frontier leaves its traces behind it, and when it becomes a settled area the region still partakes of the frontier characteristics. Thus the advance of the frontier has meant a steady movement away from the influence of Europe, a steady growth of independence on American lines. And to study this advance, the men who grew up under these conditions, and the political, economic, and social results of it, is to study the really American part of our history. . .

Turner says that the term "frontier \[...\] is an elastic one, and for our purposes does not need a sharp definition" primarily in order to _______________.

Passage adapted from "The Significance of the Frontier in American History" written and delivered by Frederick Jackson Turner during the 1893 World's Columbian Exposition.

The American frontier is sharply distinguished from the European frontier  a fortified boundary line running through dense populations. The most significant thing about the American frontier is, that it lies at the hither edge of free land. In the census reports it is treated as the margin of that settlement which has a density of two or more to the square mile. The term is an elastic one, and for our purposes does not need sharp definition. We shall consider the whole frontier belt, including the Indian country and the outer margin of the ìsettled areaî of the census reports. This paper will make no attempt to treat the subject exhaustively; its aim is simply to call attention to the frontier as a fertile field for investigation, and to suggest some of the problems which arise in connection with it.

In the settlement of America we have to observe how European life entered the continent, and how America modified and developed that life and reacted on Europe. Our early history is the study of European germs developing in an American environment. Too exclusive attention has been paid by institutional students to the Germanic origins, too little to the American factors. The frontier is the line of most rapid and effective Americanization. The wilderness masters the colonist. It finds him a European in dress, industries, tools, modes of travel, and thought. It takes him from the railroad car and puts him in the birch canoe. It strips off the garments of civilization and arrays him in the hunting shirt and the moccasin. It puts him in the log cabin of the Cherokee and Iroquois and runs an Indian palisade around him. Before long he has gone to planting Indian corn and plowing with a sharp stick, he shouts the war cry and takes the scalp in orthodox Indian fashion. In short, at the frontier the environment is at first too strong for the man. He must accept the conditions which it furnishes, or perish, and so he fits himself into the Indian clearings and follows the Indian trails. Little by little he transforms the wilderness, but the outcome is not the old Europe, not simply the development of Germanic germs, any more than the first phenomenon was a case of reversion to the Germanic mark. The fact is, that here is a new product that is American. At first, the frontier was the Atlantic coast. It was the frontier of Europe in a very real sense. Moving westward, the frontier became more and more American. As successive terminal moraines result from successive glaciations,3 so each frontier leaves its traces behind it, and when it becomes a settled area the region still partakes of the frontier characteristics. Thus the advance of the frontier has meant a steady movement away from the influence of Europe, a steady growth of independence on American lines. And to study this advance, the men who grew up under these conditions, and the political, economic, and social results of it, is to study the really American part of our history. . .

Why does Jackson say that, "Too exclusive attention has been paid by institutional students to the Germanic origins, too little to the American factors"?

Passage adapted from "The Significance of the Frontier in American History" written and delivered by Frederick Jackson Turner during the 1893 World's Columbian Exposition.

The American frontier is sharply distinguished from the European frontier  a fortified boundary line running through dense populations. The most significant thing about the American frontier is, that it lies at the hither edge of free land. In the census reports it is treated as the margin of that settlement which has a density of two or more to the square mile. The term is an elastic one, and for our purposes does not need sharp definition. We shall consider the whole frontier belt, including the Indian country and the outer margin of the ìsettled areaî of the census reports. This paper will make no attempt to treat the subject exhaustively; its aim is simply to call attention to the frontier as a fertile field for investigation, and to suggest some of the problems which arise in connection with it.

In the settlement of America we have to observe how European life entered the continent, and how America modified and developed that life and reacted on Europe. Our early history is the study of European germs developing in an American environment. Too exclusive attention has been paid by institutional students to the Germanic origins, too little to the American factors. The frontier is the line of most rapid and effective Americanization. The wilderness masters the colonist. It finds him a European in dress, industries, tools, modes of travel, and thought. It takes him from the railroad car and puts him in the birch canoe. It strips off the garments of civilization and arrays him in the hunting shirt and the moccasin. It puts him in the log cabin of the Cherokee and Iroquois and runs an Indian palisade around him. Before long he has gone to planting Indian corn and plowing with a sharp stick, he shouts the war cry and takes the scalp in orthodox Indian fashion. In short, at the frontier the environment is at first too strong for the man. He must accept the conditions which it furnishes, or perish, and so he fits himself into the Indian clearings and follows the Indian trails. Little by little he transforms the wilderness, but the outcome is not the old Europe, not simply the development of Germanic germs, any more than the first phenomenon was a case of reversion to the Germanic mark. The fact is, that here is a new product that is American. At first, the frontier was the Atlantic coast. It was the frontier of Europe in a very real sense. Moving westward, the frontier became more and more American. As successive terminal moraines result from successive glaciations,3 so each frontier leaves its traces behind it, and when it becomes a settled area the region still partakes of the frontier characteristics. Thus the advance of the frontier has meant a steady movement away from the influence of Europe, a steady growth of independence on American lines. And to study this advance, the men who grew up under these conditions, and the political, economic, and social results of it, is to study the really American part of our history. . .

Turner describes the Germanic influence on America as a "germ" primarily in order to ______________.

1 Of the monstrous neglect of education in England, and the disregard of it by the State as a means of forming good or bad citizens, and miserable or happy men, private schools long afforded a notable example. 2 Although any man who had proved his unfitness for any other occupation in life, was free, without examination or qualification, to open a school anywhere; although preparation for the functions he undertook, was required in the surgeon who assisted to bring a boy into the world, or might one day assist, perhaps, to send him out of it; in the chemist, the attorney, the butcher, the baker, the candlestick maker; the whole round of crafts and trades, the schoolmaster excepted; and although schoolmasters, as a race, were the blockheads and impostors who might naturally be expected to spring from such a state of things, and to flourish in it; these Yorkshire schoolmasters were the lowest and most rotten round in the whole ladder. 3 Traders in the avarice, indifference, or imbecility of parents, and the helplessness of children; ignorant, sordid, brutal men, to whom few considerate persons would have entrusted the board and lodging of a horse or a dog; they formed the worthy cornerstone of a structure, which, for absurdity and a magnificent high-minded Laissez-Aller neglect, has rarely been exceeded in the world.

… 4 I cannot call to mind, now, how I came to hear about Yorkshire schools when I was a not very robust child, sitting in bye-places near Rochester Castle, with a head full of Partridge, Strap, Tom Pipes, and Sancho Panza; but I know that my first impressions of them were picked up at that time, and that they were somehow or other connected with a suppurated abscess that some boy had come home with, in consequence of his Yorkshire guide, philosopher, and friend, having ripped it open with an inky pen-knife.

In Sentence 2, why does the author list various professions (“the chemist, the attorney, the butcher, the baker, the candlestick maker”)?

1 All her life Miss Elizabeth Dwarris had been a sore trial to her relations. 2 A woman of means, she ruled tyrannously over a large number of impecunious cousins, using her bank-balance like the scorpions of Rehoboam to chastise them, and, like many another pious creature, for their soul’s good making all and sundry excessively miserable. 3 Nurtured in the evangelical ways current in her youth, she insisted that her connections should seek salvation according to her own lights; and, with harsh tongue and with bitter gibe, made it her constant business to persuade them of their extreme unworthiness. 4 She arranged lives as she thought fit, and ventured not only to order the costume and habits, but even the inner thought of those about her: the Last Judgment could have no terrors for any that had faced her searching examination. 5 She invited to stay with her in succession various poor ladies who presumed on a distant tie to call her Aunt Eliza, and they accepted her summons, more imperious than a royal command, with gratitude by no means unmixed with fear, bearing the servitude meekly as a cross which in the future would meet due testamentary reward.

What is the role of Sentence 1 in relation to the rest of the passage?

1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…

3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.

What literary technique appears in Sentence 2?

1 Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. 2 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters…

3 Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. 4 The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. 5 Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter.

Which sentence in this passage contains an example of litotes?

1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."

3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.

6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.

What is the purpose of Sentence 2?

1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."

3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.

6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.

In Sentence 6, what does “a fair slip of a girl” describe?

1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."

3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.

6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.

What emotion is conveyed by the line “was too many for me” (Sentence 12)?