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Example Questions
Example Question #1 : Analyzing Architecture In Global Islamic Traditions
All of the following are architectural features of a mosque except __________________.
muezzin
minaret
qibla wall
minbar
muezzin
A "minaret" is a tower on a mosque from which a crier, or muezzin, calls the faithful to prayer. A "minbar" is a podium for a reader of the Koran. The "qibla wall," found in the prayer hall, points the believer towards Mecca.
Example Question #381 : Clep: Humanities
What is the name for the specific type of high tower found on a mosque, particularly a mosque from the Middle Ages?
Pyramid
Turret
Minaret
Parapet
Copula
Minaret
One of the most important features of any mosque, a Muslim place of worship, is the space to broadcast the regular call to prayer. In the Middle Ages particularly, this was achieved through building a thin, tall tower at one corner of the mosque. This high tower was called a "minaret" and was often the tallest building in a medieval Islamic society.
Example Question #2 : Architecture In Global Islamic Traditions
Minarets serve what function in Islamic architecture?
They are purely decorative.
They indicate the location of Mecca.
They shield onlookers from the sun.
They call Muslims to pray.
They call Muslims to pray.
Minarets are tall shafts. Each contains a staircase and a gallery, from which a muezzin calls Muslims to pray five times each day. Daily prayer is an important element of Islamic life.
Example Question #991 : Ap Art History
Which artistic technique or structural component is NOT found in Islamic art?
Muqarnas
Wooden strapwork
Joggled voussoirs
Mosaics
Architrave
Architrave
An architrave is the structure that rests above the tops of columns and is found primarily in Greek and Roman architecture. All the other techniques or components are found in Islamic architecture. Examples include the following:
Joggled voussoirs: Madrasa-Mausoleum-Mosqure of Sultan Hasan, Cairo
Muquarnas: Court of the Lions, Alhambra, Granada
Mosaics: Dome of the Rock, Jerusalem
Wooden strapwork: Kutubiya Minbar, Marrakesh
Example Question #992 : Ap Art History
Many Islamic sculptures, buildings, and other three-dimensional artworks are adorned with detailed __________ due to ideals detailed in the Qur'an. This form of artistic expression is/are one of the most common in the Islamic world.
mosaic
calligraphy
drawings of family life
landscapes
floral work
calligraphy
Calligraphy is the one of the most common artistic expressions due to adherence to Qur'an ideals that prevent idolatry by banning the artistic rendering of figures. Mosaic is characteristic of Islamic architecture, but calligraphy is present in both architecture and sculpture.
Example Question #1 : Architecture In Global Islamic Traditions
The in a mosque oriented towards Mecca is called a _____________.
minbar
mihrab
qibla
minaret
qibla
The qibla is the wall in a mosque oriented toward Mecca that indicates the direction of prayer for the congregation. The minbar is a niche in the qibla wall, often arched like a doorway or passage toward Mecca, while the minbar is a raised, stepped platform from which the imam addresses the congregation. The minaret is a tall, slender tower in a mosque from which the faithful are called to prayer.
Example Question #1 : Architecture In Global Islamic Traditions
In the mosque pictured, there are four column-shaped figures surrounding the central dome. These figures are called __________.
minarets
columns
obelisks
pagodas
balusters
minarets
Minarets are the surrounding towers in a mosque. Mosques have anywhere from one to four minarets (sometimes more).
A pagoda is a type of roof and cannot be the answer. Columns and balusters are not common in Islamic architecture, but these two are not usually independent structures.
Though minarets share the shape of an obelisk, they are not as minimalist in design.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Hagia_Sophia_Cathedral.jpg
Example Question #2 : Architecture In Global Islamic Traditions
The __________ was a basilica church that was converted into a mosque in 1453 following the Ottoman invasion of Turkey.
An image of the building is shown below.
Crystal Mosque
Hagia Sophia
Blue Mosque of Sultan Ahmet
Sistine Chapel
Wazir Khan Mosque
Hagia Sophia
This is an image of Hagia Sophia in Istanbul, Turkey.
It was first a Greek Basilica church under Constantine and converted to a Mosque when the Turks invaded and occupied Istanbul in 1453.
This is the only answer choice that fits the historical context of being converted to a mosque in this region (Istanbul, Turkey/Greece). Though the Blue Mosque is in Istanbul, it was built after the occupation.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Hagia_Sophia_Cathedral.jpg
Example Question #2 : Architecture In Global Islamic Traditions
The spread of Islamic architectural styles that followed the spread of Islam can be seen in ______________.
the use of pointed arches in buildings found in France
the use of elaborate designs across Europe
None of the answers are correct
the development of ziggurats in Mesopotamia
the arabesque designs used to decorate the Alhambra in Spain
the arabesque designs used to decorate the Alhambra in Spain
The influence of Islamic art and architecture can easily be found in Spain, which had Muslim rulers for over 700 years. Thus, the Alhambra and its arabesques is the best choice. Ziggurats predate Islam, pointed arches can't be traced back just to an Islamic influence, and "elaborate designs" is too vague to be correct.
Example Question #2 : Architecture In Global Islamic Traditions
Which of the given movements, with its roots in Egypt, had a strictly decorative aesthetic that provided a pre-cursing framework for the ornamental nature of Islamic Art?
Abassid brickwork
Gothic Architecture
Coptic Christian Art
Byzantine Architecture
Coptic Christian Art
Coptic art emerged out of Egypt as a product of anti-iconic Christian tendencies. During this period, there was much debate in the emerging Christian church as to whether or not iconography would be permissible in Christian art. The Coptic tradition sided against depictions of the divine, laying the framework for the Islamic style which forbids images of the Prophet as blasphemous. This question challenges students to understand how art history, like history itself, is not a simply defined series of movements, but instead the product of cultural assimilation and synthesis, with complicated politics of power and philosophy that evolve styles and root themselves in meaning and belief.
All AP Art History Resources
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