All AP Art History Resources
Example Questions
Example Question #2 : Asian 2 D Art
The Burning of the Sanjo Palace is a thirteenth-century handscroll from __________.
Vietnam
China
Japan
Korea
Japan
The Burning of the Sanjo Palace is one of the more famous and most representative works of classical Japanese art. This handscroll painting, done about one hundred years after the event it depicts, features swift brushstrokes to emphasize movement, has a strong use of diagonals, and presents largely undifferentiated figures. All of these are classic hallmarks of Japanese handscroll painting from the Kamakura period.
Example Question #21 : 2 D Art Beyond European Artistic Traditions
The Japanese artist who created the series of woodblock prints Thirty-Six Views of Mount Fuji, which included the work The Great Wave off Kanagawa, is __________.
Honshu
Hokusai
Eishi
Sesshu
Hokusai
Hokusai was one of many famous ukiyo-e (woodblock print artists) from his era in Japan, the early nineteenth century. Over time, however, Hokusai's focus on grand landscapes and his immaculate skill, well shown in his series of prints of Mount Fuji, have garnered him more respect than most of his contemporaries. The Great Wave Off Kanagawa is the most famous Japanese woodblock print in the West.
Example Question #21 : 2 D Art Beyond European Artistic Traditions
Paintings like Takahashi Yuichi’s Oiran characterize the culturally mixed nature of the early Meiji period in which of the following ways?
It represents a high class courtesan.
The textiles and garments are rendered in a near-abstract manner.
It portrays the woman’s features in the idealizing manner typical of ukiyo-e artists.
It represents a woman whose role is part of a traditional Japanese cultural institution, but it demonstrates a more veristic, Western style of portraiture than is typical in traditional Japanese art.
It does not demonstrate the free, sweeping brushstrokes typical of Japanese ink paintings.
It represents a woman whose role is part of a traditional Japanese cultural institution, but it demonstrates a more veristic, Western style of portraiture than is typical in traditional Japanese art.
Oiran highlights the cultural foment of the early Meiji period. Created to evoke nostalgia for vanishing elements of Japanese culture, the painting's subject matter of a grand courtesan is typical of traditional Ukiyo-e printmaking. It is unique, however, in that it does not represent the courtesan's features in the idealizing manner of ukiyo-e artists, but rather in the more analytical manner of Western portraiture.
Example Question #491 : Ap Art History
Based on style and composition, this work was created in ________________.
Korea
India
Japan
China
Japan
This work, Kanagawa oki nama ura (Under the Wave off Kanagawa) by Katsushika Hokusai, is a classic of the Japanese woodblock printing tradition. Crafted for replication, Hokusai’s work is from a series known as Thirty-Six Views of Mount Fuji, which showed the iconic Japanese mountain from a variety of perspectives and in different conditions. The sharp lines and highly structured formal representation are characteristic of Japanese art in general and the ukiyo-e style in particular.
Image accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Katsushika_Hokusai,_published_by_Nishimuraya_Yohachi_(Eijudō)_-_Under_the_Wave_off_Kanagawa_(Kanagawa-oki_nami-ura),_also_known_as_the_Great_Wave,_from_the_series_T..._-_Google_Art_Project.jpg
Example Question #23 : 2 D Art Beyond European Artistic Traditions
The Burning of the Sanjo Palace is a thirteenth-century handscroll from __________.
Japan
Korea
Vietnam
China
Japan
The Burning of the Sanjo Palace is one of the more famous and most representative works of classical Japanese art. This handscroll painting, done about one hundred years after the event it depicts, features swift brushstrokes to emphasize movement, has a strong use of diagonals, and presents largely undifferentiated figures. All of these are classic hallmarks of Japanese handscroll painting from the Kamakura period.
Example Question #24 : 2 D Art Beyond European Artistic Traditions
Fan Kuan was a Chinese artist famous for painting ____________.
The Sakyamuni Buddha
None of these
Loquats and a Mountain Bird
Travelers by Streams and Mountains
Autumn in the River Valley
Travelers by Streams and Mountains
Fan Kuan lived in the Song Dynasty. His only remaining work is Travelers by Streams and Mountains. It is ink on a silk hanging scroll that was almost seven feet tall. This work was part of the Northern Song school of monumental landscapes.
Example Question #21 : 2 D Art Beyond European Artistic Traditions
The work shown here was made in which of the following regions?
India
Thailand
Persia
Indonesia
India
This statue is an image of Shiva, the Hindu god of destruction and renewal, which obviously shows it was created in a predominantly Hindu area. The close attention to Shiva’s traditional iconography, featuring four arms and placing him in the “Lord of Dance” pose known as “Nataraja,” places its creation in a traditionally Hindu area of India. Indeed, the Chola dynasty in southern India was one of the key centers for the worship of Shiva in 10th century India.
Image is in the public domain accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Shiva_as_the_Lord_of_Dance_LACMA_edit.jpg
Example Question #491 : 2 D Art
Based on style and composition, the work shown here was created in ________________.
Thailand
China
Korea
Japan
Japan
Like much Asian art, White and Red Plum Blossoms, by Ogata Kōrin, shown here, is an idealized landscape rendered in simple forms. However, Ogata's extremely representational style and use of gold is a signature of the Rinpa school of Japan, which flourished in the seventeenth and eighteenth centuries. Due to Japan's isolationism in these centuries, artists could develop idiosyncratic styles which were distinct from other related cultural art forms.
Artwork from Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Ogata_Korin_-_RED_AND_WHITE_PLUM_BLOSSOMS_(National_Treasure)_-_Google_Art_Project.jpg
Example Question #492 : 2 D Art
The work shown here was created to be displayed in _______________.
a private residence
a public square
a government building
a religious temple
a private residence
White and Red Plum Blossoms by Ogata Kōrin is a large paper screen, made out of fine ink and gold leaf. The high quality materials used by Ogata for a screen make it a display item that could also be a functional element in a household. The screens created by Japanese artists in the Rinpa school, such as Ogata, were often one of the features of the homes of the elite and wealthy merchants in Edo Period Japan.
Artwork from Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Ogata_Korin_-_RED_AND_WHITE_PLUM_BLOSSOMS_(National_Treasure)_-_Google_Art_Project.jpg
All AP Art History Resources
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